A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
[1] The church of St. Eustache, Paris, is a striking example of a
pointed church, both in plan, disposition, and proportion, carried out
in Italian detail; but even much later, the churches of St. Roch and St.
Sulpice, in the same city, were constructed on Catholic traditions,
although all trace of the ancient detail has disappeared; they are
_cruciform_, _choral_, and _absidal_, with _aisles_ and chapels, a
clerestory, and vaulting supported by flying buttresses, and the latter
has even two great western towers for bells. Notwithstanding their
debased detail, these edifices have still the character of churches, and
are adapted by their _arrangement_ for the celebration of Catholic rites.
[2] I trust to be able before long to put forth an impartial statement
relative to the destruction of Catholic edifices and ornaments
consequent on the change of religion in England. After the most patient
investigation, I have been compelled to adopt the conclusion, that the
most fearful acts of destruction and spoliation were committed by men
who had not only been educated in the ancient faith, but who were
contented externally to profess its doctrines. I had originally fallen
into popular errors on these matters in some of my early publications,
and it is but an act of justice to affix the odium of the sacrilege on
those who were really guilty. I feel quite satisfied that one of the
most urgent wants of the time is a real statement of the occurrences
connected with the establishment of Protestantism and the loss of the
ancient faith; of course, I have to treat the subject in an
architectural view, but still I trust to bring forward many facts that
may lead to a better understanding and more charity on both sides, for
we may all exclaim, "Patres nostri pecaverunt et non sunt, _et nos
iniquitates eorum portavimus_."
[3] I have been credibly informed, that an amphitheatre was deliberately
proposed, a few years since, as the best form of a Catholic church for
London.
[4] These enclosures were also to prevent the distraction which large
bodies of people moving about the church might occasion to the
ecclesiastics.
OF THE ENCLOSURE OF CHOIRS,
FROM THE EARLY AGES OF THE CHURCH DOWN TO THE PRESENT TIME.
It is most certain (writes the learned Thiers) that in the three first
centuries there were churches, that is to say, places set apart for the
faithful to meet in prayer and assist at the holy sacrifice; but we have
no record respecting the internal arrangements of those places, which
often were mere rooms in private houses, hence it is impossible to say
whether any separation existed in them between the people and the clergy.
Public-domain text, read in full here on John Shaqi.
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