A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
church _à l'Italienne_, and to get rid of the monstrous barrack in the
middle, _on les démonte partout_." At these words, the curé, reddening
with indignation, exclaimed, "Monsieur de Chantal, the present degraded
state of ecclesiastical discipline permits you, a layman in every
respect but in the fashion of your clothes and the form of your peruke,
to hold the highest office in a foundation where, in more ancient and
better days, you would not have been permitted to take part in the most
menial duties. You have destroyed that which your predecessors
respected; you have defaced and mangled the Temple of God; you have
dressed it out à la mode; and its solemnity is departed for ever, to the
sorrow and disgust of myself and my people. But allow me to tell you,
the parish church is under my care, and while I live not one stone of
that venerable enclosure of the holy place shall be touched or removed,
or its sacred imagery injured." The abbé, deeply mortified at the
reproaches of the curé, endeavoured to conceal his mortification by
diverting the discourse on the times and his parishioners. The curé,
however, turning to his visitor, said in a sad and solemn tone, "The
times are full of sad presage. The riches, the corruptions, immunities,
and extravagant privileges that disgrace even the highest ecclesiastics
of the land, are the subject of deep and merited murmurs among the
neglected people; men begin to hate religion for the vices of its
ministers, and those who squander in worldly vanity the revenues
intended for the service of religion and Christ's poor, will have to
give a fearful reckoning." The abbé started to his feet: "Nay, hear me,"
continued the curé. "You are one of these spoilers; it is true the abbey
was given to you as a heritage, but it was the gift of those who had no
power to bestow. Think of that choir, once filled with a hundred devout
servants of God chanting his praises by night and day, now debased and
almost deserted. The vast refectory in ruins,—its vaulted gateway, where
hundreds partook the hospitality and charity of the house, now scarcely
shelters a single straying mendicant—all is neglect and decay, and how
will it end?" "Ah, mon Dieu," cried the abbé, "I cannot bear this; how
often have I thought and tried for better things! But no, impossible. My
rank, my family honour, all must be supported." So, hastily departing,
he summoned his servants and carriage.—"To Paris!" he exclaimed. That
night the Hotel de Chantal was a blaze of light, the rendezvous of the
_élite_ of the capital; and among the many cavaliers who escorted the
fair dames of Paris that graced the mirrored and lustred saloons, none
could surpass the gallantry and devotion of the noble owner of the
mansion, the commendatory abbot of Conques....
Public-domain text, read in full here on John Shaqi.
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