A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
ribs, and ashlar-work were piled in heaps for sale, and the area of the
church was one great mound of lime and broken materials. The sad scene
of desolation produced no regret on the mind of the hardened Jacques,
who merely exclaimed, "Ah, c'est fini!" and turned towards the old
parish church, which was still standing. On drawing near he perceived an
affiche announcing it for sale as part of the propriétés nationales.
"Here is a capital chance," he thought; "a store for wood is what I
require, and then if I buy that neighbouring forest my fortune is made."
In a short time the purchase was concluded, and the venerable temple,
which had for some time ceased to echo the divine praises, was disposed
of to become a common wood-store. The interior of the building had a
most desolate appearance; the whole was denuded of every ornament; the
side altars were standing, but the high altar had been thrown down in a
fruitless search for supposed treasure. An ancient image of our Lady had
been removed, but the corbel remained, and the outline of the figure
itself was traceable on the wall. The floor was strewed with rubbish,
and damp was gathering round the bases of the pillars and chancel steps.
Jacques viewed his purchase with great satisfaction. Could he but fill
it with wood, what profit he should realize! "But, peste!" he exclaimed,
"with that diable de jubé, it is impossible to get a cart up near the
end. Tu descendras vite." Now Frénin had assisted during his
revolutionary campaigns at the destruction of many a noble church, and
had remarked the expeditious way in which this was effected by cutting
away the bases of the shafts, and propping them up with pieces of
timber, smeared with pitch, which, when fired, were rapidly consumed,
and caused the instant fall of the superincumbent weight; so that, as
one of the writers of that period triumphantly explains, "_On peut
détruire toute une cathédrale dans un petit quart d'heure._" Having
frequently witnessed the success of this plan on a great scale, Jacques
determined to apply it to the pillars of the rood screen, and with the
aid of a mason who had been employed in the demolition of the abbey, he
succeeded in stilting all the shafts on wooden shores, which he
afterwards covered with grease and pitch. He calculated that in their
fall they would bring in the vaulting of the loft, and, in fine, save
all the trouble of pulling down piecemeal. All being prepared, he
entered the church early in the morning, and twisting the wooden props
with straw, he proceeded to ignite them. Those who have read the last
chapter should remember the peculiar construction of this screen, with
its iron trellis-work between the walls, the solid reredoses towards the
chancel. A volume of smoke rose from each of the four piles of wood,
succeeded by fierce crackling flames, and still denser smoke. Frénin was
quickly escaping, when in the confusion of the moment, he pressed the
Public-domain text, read in full here on John Shaqi.
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