A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
iron gate from him; it closed with a spring catch, and with the rebound
shot the key far beyond his reach into the nave. He rushed to the
chancel doors, but they were barred within. In the midst of the
increasing flame he frantically dashed himself now against the door, and
now straining at the iron trellis, he roared with despair and terror;
for at that early hour no one would be near to force the gates and save
him. But two little children, belonging to a devout widow of the
village, had been taught to go and offer their morning prayers before
the church doors, though its portals had been closed for the ingress of
the faithful; and, as usual, they bent their knees before the sacred
threshold. Scarcely had they commenced their orisons, when the crackling
sounds within the building attracted their attention; these were rapidly
succeeded by the shouts of Frénin. Looking through the crevice, they
beheld flames, and ran back affrighted to the village, exclaiming, "Le
feu est à l'église." At this cry the peasants rushed from the houses,
and the smoke, which now escaped from the broken windows of the edifice,
showed that the alarm was too well founded. Proceeding to the western
doors, which Frénin had closed on entering, they forced them open by
means of a felled tree, swung by their united efforts as a ram.
On entering, the most horrible spectacle presented itself. The pillars
and arches of the rood screen encircled in fire, and in the midst of
smoke and blaze the gigantic figure of a man whose hair and clothes were
already burning, yelling imprecations; in the agony of despair he
grasped the bars with fruitless efforts to tear them from their faithful
rivets. "Ah, mon Dieu, c'est Frénin," exclaimed the terrified villagers.
"Il est perdu!" cried another voice, and at that instant the wooden
shores, reduced to gleaming embers, gave way, and arches, vaulting, all
fell in crushing weight on the wretched ambonoclast, who was speedily
consumed beneath the burning mass. Water was now procured, and by the
ready help of the numerous villagers who had been gathered to the spot,
all danger to the fabric itself was soon prevented; but when the smoking
ruins had been cleared away, a few ashes were all that remained of the
powerful frame of Jacques Frénin, the revolutionary ambonoclast.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account