A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
displayed in their windows and their sculptures all those edifying—those
touching mysteries of our Lady's history which are so fruitful for
contemplation, and the tryptych altar unfolded its gilded doors when
adorned for sacrifice, with many a saint and angel depicted on its
painted panels, and the office was sung by our Lady's chaplains, all in
their stalls of quire, and the morrow mass-priest celebrated most
solemnly, and many a taper burnt brightly before her image, and our
Lady's chapel was one of the fairest portions of these fair churches.
But now, alas, while these chapels are in a great measure abandoned to
neglect, a wretched piece of scenery is substituted, and this is set up
in the centre of the nave, to the disguise of the architecture and the
impediment of its proper use. Even making all allowances for the reduced
revenues of the continental churches, it must be admitted that they are
for the most part most miserably neglected, and in a great measure
disused. There are splendid crypts where no rites are ever celebrated.
Lateral chapels turned into confessionals, or what is much worse, into
deposits for lumber; everything is carried on on the smallest scale, and
with the least trouble, and not only are the generality of modern
Catholic churches on the continent most miserable abortions, but every
year sad mutilations are permitted in many of those sacred buildings
that are still preserved for religious purposes.
Even in the Pontifical States, within a very short period, a fine
church, of mediæval construction, was shorn of both its aisles, by the
act of the very canons themselves; one they demolished for the
materials, and the other they converted into a custom house and stores.
Indeed, many modern canons have been miserable stewards of the churches
committed to their care, which makes their partial suppression in the
eighteenth century the less to be regretted. As shown in the course of
this work, they were great destroyers of choral arrangements and painted
glass in the latter times; and from a much earlier period they were
accustomed to raise a revenue by permitting domestic erections against
the sacred edifices themselves,—shops and houses between buttresses and
lodgments in porches.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account