A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic SignificationPugin, Augustus Welby Northmore
History
A Treatise on Chancel Screens and Rood Lofts: Their Antiquity, Use, and Symbolic Signification
Pugin, Augustus Welby Northmore
Screens (Church decoration)
blocked up with unsightly pews and galleries of uncouth and rude
construction, and denuded of every ancient decoration, the family vault
had once stood within a chantry, but the roof had long disappeared,
while the walls were crumbled into shapeless mounds. In the midst of a
small space, rank with weeds and nettles, was a huge brick tomb railed
in with bar and spike. A slippery way dug out at the lower end showed a
rapid descent to a dark aperture, formed by the removal of a large
stone, piled against the side. Over this stood the clergyman of the
parish, in a loosely fitting surplice ill concealing his semi-lay attire
beneath, attended by a decrepit clerk, who alternately recited the
appointed office. The executor, the lawyer, and the undertaker's men,
with some curious lookers-on, are alone present at this sad and desolate
spectacle. The coffin is lowered down the incline, the heavy mass is
forced into its narrow space, jammed in amongst the mouldering shells of
older interments. The men issue from the vault—the stone is replaced—the
heavy fall of earth clods resound on its hollow surface, and as the
access is filled in, all depart—the executors to the will—the
undertakers to the nearest tavern. Two old men linger on the spot.
"Well," one exclaimed, "I would not have thought the squire would have
died thus." "Alack, alack!" replied his companion, "it was all along of
bad company. I have heard Father Randall say, many a time, _he were a
good young man_." It was so indeed, _he was a good young man_. He was
taught and fulfilled his duties, but he never knew the grandeur or the
majesty of the faith in which he was reared. It was not his pride, his
glory. He knew it only as the persecuted—the contemned religion of his
ancestors, to which he was bound to adhere, but he never felt its power,
nor understood it as the fountain, the source of all that is majestic,
true, and ennobling upon earth, and so, when he heard it laughed at as
an old-fashioned jest, and got entangled with worldly men, he abandoned
its observances by degrees, and sunk into worldly pleasures and feelings
till he became dead to every call of conscience, even for the most
essential duties of religion, and came to that miserable end. If this
illustration be considered unsuitable for an architectural work, I reply
that the revival of true architecture is intimately mixed up with
education and the formation of the minds of the rising Catholic
generation. It is during the first few years of mental training that the
character and feelings are generally formed, and I maintain the moral
part of Catholic architecture, that is to say, the fitting of the mind
to understand and appreciate the external beauties of religion, and to
produce that love of God's service in the youthful heart, is quite as
important, and can only be raised in places where the offices of
religion are solemnly performed, and in suitable edifices. Now this
Public-domain text, read in full here on John Shaqi.
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