“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—_i.e._, by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images. And it was a return to the spiritualism of the first ages, and a revival of the spirit of aversion to what has a tendency of lowering Divinity to the narrow proportions of a human creature, that produced war against those images. But the manners and the beliefs had been changed. Whole nations had received Christianity, when it was already escorted by that idolatrous train of carved and painted images. Only those populations amongst whom the ancient traditions were preserved could favour this reaction. The clergy were, moreover, interested in maintaining one of their most powerful means of teaching. The long and persevering efforts of the Iconoclasts proved therefore ineffective; and the Waldenses were not more fortunate. Wickliffe, the Hussites, and Carlostad, attacked the images; but it was reserved only to the Calvinists to establish in some parts of Europe the triumph of the ideas of the Iconoclasts. The shock was terrible. The Religionists frequently committed acts of a fanatical and senseless vandalism; and art had many losses to deplore. But the idolatrous tendency was struck at its very root; and Catholicism itself found, after the struggle, more purity and idealism in its own worship.(11) The Reformed perceived afterwards the exaggeration of their principles; and though they continued to defend the entrance of their temples to the simulachres, condemned by God on Mount Sinai, they spared