A Treatise on the Art of DancingGallini, Giovanni-Andrea
History
A Treatise on the Art of Dancing
Gallini, Giovanni-Andrea
Dance -- Early works to 1800; Dance -- History -- Early works to 1800; Theater -- History
The AMERICANS, in some parts, prescribe this exercise by way of
phisic, in their distempers: a method of treatment, not, it
seems unknown to the antients: but, in general, their motive for
dancing, is the same as with the rest of the world, to give
demonstrations of joy and welcome to their guests, or to divert
themselves. On some occasions indeed, they make them part of the
ceremony at their assemblies upon affairs, when even their
public debates are preceded by dancing, as if they expected that
that exercise would rouse their mental faculties, and clear
their heads. The war-dance is also used by them, by way of
proclamation of war against their enemies.
The foregoing summary sketch of some of the various dances,
which are practised in different parts of the globe, and which,
to describe universally and minutely, would fill whole volumes,
may serve to show that nature has, in all parts of the inhabited
world, given to man the instinct of dancing, as well as of
speaking, or of singing. But it certainly depends on the nations
who encourage the polite arts, once more to carry it up to that
pitch of excellence, of which the history of the Greeks and
Romans shows it to have been susceptible, among the antients,
however the moderns may have long fallen short of it. There has
indeed lately appeared a dawning hope of its recovery; which,
that it may not be frustrated, is the interest of all who wish
well to an innocent and even useful pleasure.
Of PANTOMIMES.
As this branch of the art of dancing is often mentioned,
especially in this country, without a just idea being affixed to
it, or any other idea than what is vulgarly taken from a species
of compositions which are sometimes exhibited after the play, on
the theatre here, (not to mention Sadler's wells) and go by the
name of pantomime entertainments; it may not be unacceptable to
the reader, my laying down before him the true grounds and
nature of this diversion, which once made so great a figure in
the theatrical sphere of action.
And as, on this point, Monsieur Cahusac, an ingenious French
writer, has treated the historical part of it with so much
accuracy, that it was hardly possible to offer any thing new
upon it, beyond what he has furnished; and that not to make use
of his researches would only betray me into a fruitless
affectation of originality, I am very ready to confess, that for
the best and greatest part of what I am now going to offer upon
this subject I am indebted to his production.
That prodigious perfection to which the antients carried the
pantomime art, appeared so extraordinary to the celebrated abbot
Du Bos, that, not being able to contradict the authorities which
establish the truth of it, he was tempted to consider the art of
dancing in those times as something wholly different from what
is at present understood by dancing.
Public-domain text, read in full here on John Shaqi.
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