A Treatise on the Art of DancingGallini, Giovanni-Andrea
History
A Treatise on the Art of Dancing
Gallini, Giovanni-Andrea
Dance -- Early works to 1800; Dance -- History -- Early works to 1800; Theater -- History
The same author mentions also the Mysians who danced in armour,
and used a particular sort of _peltæ_ or targets, on which they
received the blows. In short, these armed dances had different
names bestowed upon them, according to the countries in which
they were used.
The Egyptians and Greeks were extravagantly expensive in their
public festivals, of which, dancing always constituted a
considerable part.
The Romans, among whom the more coarse and licentious dances
derived from the Hetruscans, had at first prevailed, came at
length to adopt the improvements of taste, and consequently of
decency and regularity; the festivals, of which dancing was to
compose the principal entertainment, were adapted to the season
of the year.
Every autumn, for example, it was a constant custom, for those
who could afford the expence, to build a magnificent saloon in
the midst of a delightful garden. This ball-room was decorated
in the most brilliant manner: At one end of the ball-room stood
a statue of Pomona, surrounded with a great number of baskets
made in the neatest manner, and full of all the finest fruits
that the season produced. These, with the statue, were placed
under a canopy hung round with clusters of real grapes and
vine-leaves, so artfully disposed as to appear of the natural
growth. These served to refresh both the eye and mouth. The
performers of the ball went up to this part of the saloon, in
couples, processionally, to avoid confusion. Each youth took
care to help his partner to what she liked best, and then
returned, in the same regular manner, to the other end of
the room, when they served what remained to the rest of the
spectators. After which the ball immediately began.
I was shown, by an Italian painter, a curious picture in his
possession, of the antients celebrating one of this kind of
festivals. The attitudes into which the figures were put, and
which appeared to have been drawn for the conclusion of the
ball, were beautiful beyond imagination.
In winter there were balls in the city of Rome; for which
the appropriated apartments were commodious; and where the
illuminations were so great, that notwithstanding the usual
rigor of that season, the room was sufficiently warm.
Round the room there were tables and stands, on which was placed
the desert; and there were generally twelve persons chosen to
distribute the refreshments, and do the honors of the ball. The
whole was conducted with the utmost decency and regularity,
while Rome preserved her respect for virtue and innocence of
manners.
By the best accounts procurable, their serious dances were
properly interspersed and inlivened with comic movements. Their
first steps were solemn and majestic, and, by couples they
turned under each other's arms; and when the whole thus turned
together, they could not but afford a pleasing sight. After
which they resumed the serious again, and so proceeded
alternately till they concluded the dance.
Public-domain text, read in full here on John Shaqi.
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