A Treatise on the Crime of Onan: Illustrated with a Variety of Cases, Together with the Method of CureTissot, S. A. D. (Samuel Auguste David)
Science
A Treatise on the Crime of Onan: Illustrated with a Variety of Cases, Together with the Method of Cure
Tissot, S. A. D. (Samuel Auguste David)
Masturbation -- Early works to 1800; Sexual ethics -- Early works to 1800
The preceding observations appear, all of them (except that from Mr.
STEHELIN, which concludes the second Section,) to concern principally
the men: but it would be an essential imperfection, in a treatise on
this subject, to omit an admonition to the female sex, of their exposing
themselves to the same dangers, on their pursuing the same depraved
course. There are numerous examples of their having drawn upon themselves
all the evils I have set forth, and women but too often perish miserably
the victims of this detestable lewdness. The English treatise upon
_Onania_ is full of confessions of this kind, which there is no reading
without being seized with horror and compassion; the malignity of the
disorders occasioned by it, seems even to have a superior degree of
activity among the women, to what it has among the men.
Besides the symptoms which I have already described, the women are
particularly exposed to hysteric fits, or dreadful vaporous affections;
to incurable jaundices, to cruel cramps of the stomach and back; to
sharp prickings of the nose, to the _fluor albus_, of which the acridity
is a perpetual source of the most torturous pains; to the procidentia,
and ulcerations of the womb, and to all the infirmities which are the
consequences of these two disorders; to elongations of the clitoris, and
eruptions on it; to the _furor uterinus_, which, depriving them at once
of modesty and reason, puts them on a level with the most lascivious
brutes, till a desperate death delivers them from pain and infamy.
The face, that faithful mirror of the intellectual and bodily affections,
is the first to give outward signs of the inward disorders. Then that
plumpness, that fresh color, whose union constitutes that air of youth,
which alone can supply the place of beauty, and without which beauty
itself can produce no other impression than that of a cold unconcerned
admiration; that plumpness, I say, that fresh color, are the first to
fade away and disappear: leanness, a sallow complexion, a coarseness
of the skin succeed immediately to them; the eyes lose their lustre,
tarnish, and express, in their languor, that of the whole machine, the
lips lose their vermilion, the teeth their whiteness; in short, it is not
rare that the whole figure receives a considerable damage by the total
deformation of the shape.
Public-domain text, read in full here on John Shaqi.
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