Caricature of the Laocoon, after a cut designed by Titian 435 The Good Householder, from a cut printed at London, 1607 437 Virgin and Christ, from a cut designed by Rubens, and engraved by Christopher Jegher 438 The Infant Christ and John the Baptist, from a cut designed by Rubens, and engraved by Christopher Jegher 439 Jael and Sisera, from a cut designed by Henry Goltzius, and engraved by C. Van Sichem 440 Tail-piece, from an old cut on the title-page of the first known edition of Robin Hood’s Garland, 1670 445 CHAPTER VII. REVIVAL OF WOOD ENGRAVING, 446-548. Initial letter A, from a French book, 1698 446 Fox and Goat, from a copper-plate by S. Le Clerc, about 1694 450 The same subject from Croxall’s Æsop’s Fables, 1722 450 The same subject from Bewick’s Fables, 1818-1823 451 English wood-cut with the mark F. H., London, 1724 453 Adam naming the animals, copy of a cut by Papillon, 1734 460 The Pedagogue, from the Ship of Fools, Pynson, 1509 468 The Poet’s Fall, from Two Odes in ridicule of Gray and Mason, London, 1760 470 Initial letters, T. and B., composed by J. Jackson from tail-pieces in Bewick’s History of British Birds 471 The house in which Bewick was born, drawn by J. Jackson 472 The Parsonage at Ovingham, drawn by George Balmer 473 Fac-simile of a diagram engraved by Bewick in Hutton’s Mensuration, 1768-1770 475 The Old Hound, a fac-simile of a cut by Bewick, 1775 476 Original cut of the Old Hound 477 Cuts copied by Bewick from Der Weiss Kunig, and illustrations of Ovid’s Metamorphoses by Virgilium Solis 483 Boys and Ass, after Bewick 485 Old Man and Horse, ditto 486 Child and young Horse, ditto 487 Ewe and Lamb 488 Old Man and young Wife, ditto 488 Common Duck, ditto 493 Partridge, ditto 495 Woodcock, ditto 496 The drunken Miller, ditto 499 The Snow Man, ditto 499 Old Man and Cat, ditto 500 Crow and Lamb, Bewick’s original cut to the Fable of the Eagle 503