A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
The Discovery of Desroches. -- The Stamping of Lodewyc Van Vaelbeke.
-- Early “Prenters” of Antwerp and Bruges Not Typographers. --
Cologne Chronicle. -- Donatuses Printed in Holland. -- Gutemberg’s
Birth and Family -- Progress of his Invention -- His Law-Suit with
the Drytzehns at Strasburg -- His Return to Mentz, and Partnership
with Faust -- Partnership Dissolved. -- Possibility of Printing with
Wooden Types Examined. -- Supposed Early Productions of Gutemberg
and Faust’s Press. -- Proofs of Gutemberg Having a Press of his Own.
-- The Vocabulary Printed at Elfeld. -- Gutemberg’s Death and
Epitaphs. -- Invention of Printing Claimed for Lawrence Coster. --
The Account Given by Junius -- Contradicted, Altered, and Amended at
Will by Meerman, Koning, and Others. -- Works Pretended to be
Printed with Coster’s Types. -- The Horarium Discovered by
Enschedius.
Before proceeding to trace the progress of wood engraving in connexion
with typography, it appears necessary to give some account of the
invention of the latter art. In the following brief narrative of
Gutemberg’s life, I shall adhere to positive facts; and until evidence
equally good shall be produced in support of another’s claim to the
invention, I shall consider him as the father of typography. I shall
also give Hadrian Junius’s account of the invention of wood engraving,
block-printing, and typography by Lawrence Coster, with a few remarks on
its credibility. Some of the conjectures and assertions of Meerman,
Koning, and other advocates of Coster, will be briefly noticed, and
their inconsistency pointed out. To attempt to refute at length the
gratuitous assumptions of Coster’s advocates, and to enter into a detail
of all their groundless arguments, would be like proving a medal to be a
forgery by a long dissertation, when the modern fabricator has plainly
put his name in the legend. The best proof of the fallacy of Coster’s
claims to the honour of having discovered the art of printing with
moveable types is to be found in the arguments of those by whom they
have been supported.
Meerman, with all his research, has not been able to produce a single
fact to prove that Lawrence Coster, or Lawrence Janszoon as he calls
him, ever printed a single book; and it is by no means certain that his
hero is the identical Lawrence Coster mentioned by Junius. In order to
suit his own theory he has questioned the accuracy of the statements of
Junius, and has thus weakened the very foundation of Coster’s claims.
The title of the custos of St. Bavon’s to the honour of being the
inventor of typography must rest upon the authenticity of the account
given by Junius; and how far this corresponds with established facts in
the history of wood engraving and typography I leave others to decide
for themselves.
Public-domain text, read in full here on John Shaqi.
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