The Flight into Egypt, from an etching by Rembrandt 605 Sea-piece, drawn by George Balmer 606 Sea-piece, moonlight, drawn by George Balmer 606 Landscape, evening, drawn by George Balmer 607 Impression from a cast of part of the Death of Dentatus, engraved by W. Harvey 609 View of Rouen Cathedral, drawn by William Prior 611 Map of England and Wales, with the part of the names engraved on wood, and part inserted in type 612 Group from Sir David Wilkie’s Village Festival 614 Natural _Vignette_, and an old ornamented capital from a manuscript of the thirteenth century 616 Specimens of ornamental capitals, chiefly taken from Shaw’s Alphabets 617 Impressions from a surface with the figures in relief-- subject, the Crown-piece of George IV. 618 Impressions from a surface with the figures in intaglio-- same subject 619 Shepherd’s Dog, drawn by W. Harvey 620 Egret, drawn by W. Harvey 621 Winter-piece, with an ass and her foal, drawn by J. Jackson 622 Salmon-Trout, with a view of Bywell-Lock, drawn by J. Jackson 623 Boy and Pony, drawn by J. Jackson 624 Heifer, drawn by W. Harvey 624 Descent from the Cross, after an etching by Rembrandt-- impression when the block is merely lowered previous to engraving the subject 626 Descent from the Cross-- impression from the finished cut 627 Copies of an ancient bust in the British Museum-- No. 1 printed from a wood-cut, and No. 2 from a cast 637 Block reduced from a Lithograph by the new Electro-printing Block process 639 Horse and Ass, drawn by J. Jackson-- improperly printed 641 Same subject, properly printed 642 Landscape, drawn by George Balmer-- improperly printed 644 Same subject, properly printed 644 Tail-piece, drawn by C. Jacques 652 ON WOOD ENGRAVING. CHAPTER I. ANTIQUITY OF ENGRAVING.