A Treatise on Wood Engraving, Historical and Practical — John Shaqi
A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
The impressions obtained from engraved _plates_ of metal or from
_blocks_ of wood are commonly called engravings, and sometimes prints.
Formerly the word _cuts_[I-3] was applied indiscriminately to
impressions, either from metal or wood; but at present it is more
strictly confined to the productions of the wood engraver. Impressions
from copper-plates only are properly called _plates_; though it is not
unusual for persons who profess to review productions of art, to speak
of a book containing, perhaps, a number of indifferent woodcuts, as
“a work embellished with a profusion of the _most charming plates_ on
wood;” thus affording to every one who is in the least acquainted with
the art at once a specimen of their taste and their knowledge.
[Footnote I-3: Towards the close of the seventeenth century we
find books “adorned with _sculptures_ by a curious hand;” about
1730 we find them “ornamented with _cuts_;” at present they are
“illustrated with _engravings_.”]
Independent of the difference of the material on which copper-plate
engraving and wood engraving are executed, the grand distinction between
the two arts is, that the engraver on copper corrodes by means of
aqua-fortis, or cuts out with the burin or dry-point, the lines,
stipplings, and hatchings from which his impression is to be produced;
while, on the contrary, the wood engraver effects his purpose by cutting
away those parts which are to appear white or colourless, thus leaving
the lines which produce the impression prominent.
In printing from a copper or steel plate, which is previously warmed by
being placed above a charcoal fire, the ink or colouring matter is
rubbed into the lines or incisions by means of a kind of ball formed of
woollen cloth; and when the lines are thus sufficiently charged with
ink, the surface of the plate is first wiped with a piece of rag, and is
then further cleaned and smoothed by the fleshy part of the palm of the
hand, slightly touched with whitening, being once or twice passed rather
quickly and lightly over it. The plate thus prepared is covered with the
paper intended to receive the engraving, and is subjected to the action
of the rolling or copper-plate printer’s press; and the impression is
obtained by the paper being pressed _into_ the inked incisions.
Public-domain text, read in full here on John Shaqi.
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