A Treatise on Wood Engraving, Historical and PracticalChatto, William Andrew
History
A Treatise on Wood Engraving, Historical and Practical
Chatto, William Andrew
Wood-engraving
The original stamp is made of the same kind of wood as the mummy chests,
and has an arched handle at the back, cut out of the same piece of wood
as the face. It is of an oblong figure, with the ends rounded off; five
inches long, two inches and a quarter broad, and half an inch thick. The
hieroglyphic characters on its face are rudely cut in _intaglio_, so
that their impression on clay would be in relief; and if printed in the
same manner as the preceding copy, would present the same
appearance,--that is, the characters which are cut into the wood, would
appear white on a black ground. The phonetic power of the hieroglyphics
on the face of the stamp may be represented respectively by the
letters, A, M, N, F, T, P, T, H, M; and the vowels being supplied, as in
reading Hebrew without points, we have the words, “Amonophtep,
Thmei-mai,”--“Amonoph, beloved of truth.”[I-6] The name is supposed to
be that of Amonoph or Amenoph the First, the second king of the
eighteenth dynasty, who, according to the best authorities, was
contemporary with Moses, and reigned in Egypt previous to the departure
of the Israelites. There are two ancient Egyptian bricks in the British
Museum on which the impression of a similar stamp is quite distinct; and
there are also several articles of burnt clay, of an elongated conical
figure, and about nine inches long, which have their broader extremities
impressed with hieroglyphics in a similar manner. There is also in the
same collection a wooden stamp, of a larger size than that belonging to
Mr. Lane, but not in so perfect a condition. Several ancient Etruscan
terra-cottas and fragments of earthenware have been discovered, on which
there are alphabetic characters, evidently impressed from a stamp, which
was probably of wood. In the time of Pliny terra-cottas thus impressed
were called Typi.
[Footnote I-6: On a mummy in the royal collection at Paris, the
six first characters of this stamp occur. Champollion reads them,
“Amenoftep,” or “Amonaftep.” He supposes the name to be that of
Amonoph the First; and says that it signifies “approuvé par
Ammon.”--Précis du Système Hiéroglyphique. Planches et
Explication, p. 20, No. 161.]
[Illustration]
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