A Trip to Scarborough; and, The CriticSheridan, Richard Brinsley
General
A Trip to Scarborough; and, The Critic
Sheridan, Richard Brinsley
Comedy plays; English drama -- 18th century
MRS. DANGLE.
Because his jest is always at the expense of his friend. [_Aside_.]
DANGLE.
But, Sir Fretful, have you sent your play to the managers yet?—or can I
be of any service to you?
SIR FRETFUL PLAGIARY.
No, no, I thank you: I believe the piece had sufficient recommendation
with it.—I thank you though.—I sent it to the manager of Covent Garden
Theatre this morning.
SNEER.
I should have thought now, that it might have been cast (as the actors
call it) better at Drury Lane.
SIR FRETFUL PLAGIARY.
O Lud! no—never send a play there while I live—hark’ee! [_Whispers_
SNEER.]
SNEER.
Writes himself!—I know he does.
SIR FRETFUL PLAGIARY.
I say nothing—I take away from no man’s merit—am hurt at no man’s good
fortune—I say nothing.—But this I will say—through all my knowledge of
life, I have observed—that there is not a passion so strongly rooted in
the human heart as envy.
SNEER.
I believe you have reason for what you say, indeed.
SIR FRETFUL PLAGIARY.
Besides—I can tell you it is not always so safe to leave a play in the
hands of those who write themselves.
SNEER.
What, they may steal from them, hey, my dear Plagiary?
SIR FRETFUL PLAGIARY.
Steal!—to be sure they may; and, egad, serve your best thoughts as
gypsies do stolen children, disfigure them to make ’em pass for their
own.
SNEER.
But your present work is a sacrifice to Melpomene, and he, you know,
never—
SIR FRETFUL PLAGIARY.
That’s no security: a dexterous plagiarist may do anything. Why, sir,
for aught I know, he might take out some of the best things in my
tragedy, and put them into his own comedy.
SNEER.
That might be done, I dare be sworn.
SIR FRETFUL PLAGIARY.
And then, if such a person gives you the least hint or assistance, he
is devilish apt to take the merit of the whole—
DANGLE.
If it succeeds.
SIR FRETFUL PLAGIARY.
Ay, but with regard to this piece, I think I can hit that gentleman,
for I can safely swear he never read it.
SNEER.
I’ll tell you how you may hurt him more.
SIR FRETFUL PLAGIARY.
How?
SNEER.
Swear he wrote it.
SIR FRETFUL PLAGIARY.
Plague on’t now, Sneer, I shall take it ill!—I believe you want to take
away my character as an author.
SNEER.
Then I am sure you ought to be very much obliged to me.
SIR FRETFUL PLAGIARY.
Hey!—sir!—
DANGLE.
Oh, you know, he never means what he says.
SIR FRETFUL PLAGIARY.
Sincerely then—do you like the piece?
SNEER.
Wonderfully!
SIR FRETFUL PLAGIARY.
But come, now, there must be something that you think might be mended,
hey?—Mr. Dangle, has nothing struck you?
DANGLE.
Why, faith, it is but an ungracious thing for the most part, to—
SIR FRETFUL PLAGIARY.
With most authors it is just so, indeed; they are in general strangely
tenacious! But, for my part, I am never so well pleased as when a
judicious critic points out any defect to me; for what is the purpose
of showing a work to a friend, if you don’t mean to profit by his
opinion?
Public-domain text, read in full here on John Shaqi.
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