PUFF. O yes, that’s simple enough! For instance,—a new comedy or farce is to be produced at one of the theatres (though by-the-by they don’t bring out half what they ought to do)—the author, suppose Mr. Smatter, or Mr. Dapper, or any particular friend of mine—very, well; the day before it is to be performed, I write an account of the manner in which it was received; I have the plot from the author, and only add—characters strongly drawn—highly coloured—hand of a master—fund of genuine humour—mine of invention—neat dialogue—Attic salt. Then for the performance—Mr. Dodd was astonishingly great in the character of Sir Harry. That universal and judicious actor, Mr. Palmer, perhaps never appeared to more advantage than in the colonel;—but it is not in the power of language to do justice to Mr. King: indeed he more than merited those repeated bursts of applause which he drew from a most brilliant and judicious audience. As to the scenery—the miraculous powers of Mr. De Loutherbourg’s pencil are universally acknowledged. In short, we are at a loss which to admire most, the unrivalled genius of the author, the great attention and liberality of the managers, the wonderful abilities of the painter, or the incredible exertions of all the performers. SNEER. That’s pretty well indeed, sir. PUFF. Oh, cool!—quite cool!—to what I sometimes do. SNEER. And do you think there are any who are influenced by this? PUFF. O Lud, yes, sir! the number of those who undergo the fatigue of judging for themselves is very small indeed. SNEER. Well, sir, the puff preliminary. PUFF. O, that, sir, does well in the form of a caution. In a matter of gallantry now—Sir Flimsy Gossamer wishes to be well with Lady Fanny Fete—he applies to me—I open trenches for him with a paragraph in the Morning Post.—It is recommended to the beautiful and accomplished Lady F four stars F dash E to be on her guard against that dangerous character, Sir F dash G; who, however pleasing and insinuating his manners may be, is certainly not remarkable _for the constancy of his attachments_!—in italics. Here, you see, Sir Flimsy Gossamer is introduced to the particular notice of Lady Fanny, who perhaps never thought of him before—she finds herself publicly cautioned to avoid him, which naturally makes her desirous of seeing him; the observation of their acquaintance causes a pretty kind of mutual embarrassment; this produces a sort of sympathy of interest, which if Sir Flimsy is unable to improve effectually, he at least gains the credit of having their names mentioned together, by a particular set, and in a particular way—which nine times out of ten is the full accomplishment of modern gallantry. DANGLE. Egad, Sneer, you will be quite an adept in the business.