"I am always lonely, and I always shall be lonely to the end of time,"
said Mrs. Brand, slowly and bitterly. "However"--with an evident attempt
to recover her self-possession--"I shall always be pleased to see you.
Did--did--your father send you here to-night?"
"No," said Janetta, remembering her errand. "He does not know----"
"Does not know?" The pale woman again looked distressed. "Oh," she said,
turning away with a sigh and biting her lip, "then I shall not see you
again."
"Indeed you will," said Janetta, warmly. "My father would never keep me
away from any one who wanted me--and one of my mother's relations too.
But I came to-night because I found this dear little boy outside your
grounds. He tells me that his name is Julian Wyvis Brand, and that he is
your son's little boy."
For the first time Mrs. Brand turned her eyes upon the child. Hitherto
she had not noticed him much, evidently thinking that he belonged to
Janetta, and was also a visitor. But when she saw the boy's sweet little
face and large dark eyes, she turned pale, and made a gesture as of
warning or dislike.
"Take him away! take him away," she said. "Yes, I can see that it is
_her_ child--and his child too. She must be here too, and she has been
the ruin of my boy's life!" And then she sank into a chair and burst
into an agony of tears.
Janetta felt, with an inexpressible pang, that she had set foot in the
midst of some domestic tragedy, the like of which had never come within
her ken before. She was conscious of a little recoil from it, such as is
natural to a young girl who has not learnt by experience the meaning of
sorrow; but the recoil was followed by a rush of that sympathy for which
she had always shown a great capacity. Her instinct led her instantly to
comfort and console. She knelt down beside the weeping woman and put one
arm round her, drawing the little boy forward with her left hand as she
spoke.
"Oh, don't cry--don't cry!" she murmured. "He has come to be a joy and a
comfort to you, and he wants you to love him too."
"Won't you love me, grandmamma?" said the sweet childish voice. And
Julian laid his hand on the poor woman's shaking knee. "Don't cry,
grandmamma."
It was this scene which met the eyes of Wyvis Brand when he turned the
handle of the drawing-room door and walked into the room. His mother
weeping, with a child before her, and a dark-haired girl on her knees
with one arm round the weeping woman and one round the lovely child. It
was a pretty picture, and Wyvis Brand was not insensible to its beauty.
He stood, looking prom one to another of the group.
"What does all this mean?" he asked, in somewhat harsh tones.
His mother cried aloud and caught the child to her breast.
"Oh, Wyvis, be kind--be merciful," she gasped. "This is your child--your
child. You will not drive him away. She has left him at our door."
Wyvis walked into the room, shut the door behind him, and leaned against
it.
Public-domain text, read in full here on John Shaqi.
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