"Oh, Cornelia!" cried one of the guests, the famous actor N----, across
the table. "Do you mean to say that we don't understand you?"
"No, certainly not," replied Cornelia. "I had principally in view those
whom I consider different from myself. You understand me because you
resemble me, and are all, more or less, artist natures!"
"Do you mean that all artist natures are as truthful as yourself?"
asked _Heinrich_, doubtfully.
"Certainly; when I trust a man it is the artist, especially those who
represent things."
"I am curious to know upon what you found that idea," murmured
_Heinrich_, in a low tone. "The actor certainly practices dissimulation
as his profession."
"Oh, do not say that! You will surely admit that in every man there is
an impulse towards truth and falsehood, as well as good and evil,"
began Cornelia. "With almost all persons this impulse, like their other
good and bad qualities, exerts an influence upon their lives; they lie
and deceive in personal intercourse. But there are exceptions, among
those in whom this propensity to deceive is decomposed by Heaven knows
what process of intellectual chemistry, and becomes objective; that is,
forms a power of acting entirely apart from the subject. This power
seeks an independent form, and finds it in art, wherein it develops the
highest, most artistic structure, and those in whom such a process has
been completed are artists, especially actors. Then if the commonplace
man can satisfy that strange and undeniable propensity towards
falsehood only in real life, in the actor it is to a certain extent
_guided_ into a higher, loftier region, and he becomes in reality truer
and more natural than many who are only considered honest because they
are too awkward to feign."
"Your explanation is logical," replied _Heinrich_, "but you cannot
carry it into practical execution. Opportunity makes thieves, a
capability for falsehood tempts to falsehood. Even the actor will not
disdain to obtain an advantage at the expense of truth, and the
temptation is all the greater the more he is convinced that the
deception will be successful. Nay, I can even imagine that there must
be a charm to him in making use of his histrionic skill, not only upon
the stage, but off the boards, and I have seen celebrated actors who
could not help perpetually performing a part."
Public-domain text, read in full here on John Shaqi.
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