A United States Midshipman in JapanStirling, Yates
General
A United States Midshipman in Japan
Stirling, Yates
Japan -- Juvenile fiction; United States. Navy -- Juvenile fiction
“Yes,” Bill Marley acknowledged thoughtfully. “Why does any one want
to spoil a nice place like Japan by going to war? I’d rather make a
liberty here than any place I know--outside of the Bowery.”
O’Neil paid this answer but scant attention. He had seen the European
ahead fairly run down the street and become lost within the crowd.
Upon approaching nearer, a piece of white paper caught the sailor’s eye
as it lay on the tiny sidewalk, almost on the edge of the crowd. Had
it been dropped by the European in his haste? The sailors picked it
up, and Marley shoved it down the bosom of his shirt for safe-keeping.
It was a long white envelope addressed to the “Editor of the
‘Shimbunshi.’” O’Neil had read the inscription as Marley held it toward
him.
“That’s for a yellow journal published in Tokyo. Hold on to it, Bill,”
he instructed. “There’s a row on here,” he added excitedly as they
pushed their way forward.
The two men soon realized that this crowd was more than a simple
assemblage on a street corner. From a swaying motion inside it appeared
that a struggle was in progress at its centre. They now again saw the
stranger pushing his way through, his head towering above the shorter
Japanese around him.
“I hope it ain’t a rikisha fight,” Bill said eagerly, as he hurried
after his companion. “These rikisha coolies is mighty mean when you
don’t give ’em three times the fare.”
“Come on, Bill, quick,” O’Neil exclaimed, but there was scant need for
urging. Both had seen enough to know that what was happening was a
great deal more serious than a rikisha fight. The midshipmen were in
danger from a mob.
“Put your shoulder in the small of my back and shove,” O’Neil cried
excitedly, as he dived into the crowd thickest about the machine,
scattering the people left and right. They were at the wheel of the
motor car before the mob could take in the meaning of this human
battering-ram.
“What’s the row, sir?” O’Neil asked hurriedly, turning toward the crowd
and pulling up his sleeves in a businesslike way.
“We ran over a man,” Phil replied in a nervous voice. “I hope he isn’t
dead. They took him from under the wheels and carried him over there,”
indicating a small house about the door of which many curious people
had collected. “Can’t we persuade the crowd to let him go on?” he added
anxiously. “They would have killed him a moment ago.”
[Illustration: “_WHAT’S THE ROW, SIR?_”]
O’Neil raised his voice and shouted “Junsa” at the top of his lungs
several times. Immediately the crowd moved backward. Three or four
policemen (Junsa) appeared suddenly as if they had leaped from within
the earth and cleared the way in front of the machine.
“Tell them we’ll answer for his appearance before the authorities,”
Phil said to O’Neil, in his excitement, believing that O’Neil could
interpret for him. However, he was not far wrong, for the sailor’s sign
language was quite clear enough.
Public-domain text, read in full here on John Shaqi.
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