"Some of it had, I suppose. She told me that she didn't mean to let the
room again; she was going to sleep in it herself," she said, "because it
was large and light."
There was a brief pause. The clatter of teacups in the kitchen warned
Elsie that she had trespassed on the old woman's patience long enough. A
tabby cat, which had been asleep by the fire, got up, stretched itself,
and came purring round its mistress's chair.
"Pussy knows it's tea-time," said Mrs. Tryon, bending down to stroke the
creature.
Elsie rose to depart.
"One word more," she said, stooping to bring her lips closer to the deaf
ear.
Mrs. Tryon glanced up impatiently.
"I never could stand many questions," she muttered.
"Only one more. Did Mrs. Penn ever mention a little boy who lived with
the poor young lady?"
"Never," the old woman answered. "And now that's the end of it all, I
hope. I shall let my niece, Dodge, know what I think of her for sending
folks to trouble me in my old age. Mrs. Penn was no great friend of
mine. I never went inside her door more than twice, and I never set eyes
on the artist-lady, living or dead. As to the number of her house, it's
gone clean out of my mind!"
The interview was ended; and as Elsie went forth again into the
afternoon sunshine she felt a chill of disappointment.
She had learnt definitely that Meta had lived and died in Mrs. Penn's
house, that the house was in Soho Square, and that was all. There was
nothing about Jamie; and it was Jamie, not Meta, who was the object of
her search.
The air was fresh and sweet. A little puff of wind blew the scent of
hyacinths into her face. A pretty child smiled at her over a cottage
gate, its golden curls tossed by the breeze.
Again she thought of Jamie, picturing the rosy face and golden curls,
like those which Meta had described. If she could find the boy, she
felt, with a sudden heart-throb, that she must hold him fast. No woman's
life is complete without a child's presence in it. There are a hundred
ways of filling up the void, but only one natural way. Elsie Kilner was
nearly nine-and-twenty, and she was hungering, half unconsciously, after
a child's love.
She caught a delicious glimpse of woods, just touched with that first
shade of green which no artist has ever truthfully rendered. Men can
paint summer and autumn, but the promise of the seasons escapes them; it
is too subtle for brush or pencil. You may as well try to paint a
perfume or a sigh.
And yet, as Elsie thought, walking onward, there is something in these
beginnings which is sadder even than the summer's ending. Birth is the
herald of decay and death, but decay and death are the sure forerunners
of new life.
The afternoon was deepening into evening when she found herself again in
All Saints' Street, and Miss Saxon's pleasant face greeted her at the
door.
"Any news, Miss Kilner?" was the first question.
"No news of Jamie," Elsie answered sadly. "But I must try to find Mrs.
Penn's house in Soho Square."
Public-domain text, read in full here on John Shaqi.
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