A View of Society and Manners in France, Switzerland, and Germany, Vol. 1 (of 2): With Anecdotes Relating to Some Eminent Characters — John Shaqi
A View of Society and Manners in France, Switzerland, and Germany, Vol. 1 (of 2): With Anecdotes Relating to Some Eminent CharactersMoore, John
History
A View of Society and Manners in France, Switzerland, and Germany, Vol. 1 (of 2): With Anecdotes Relating to Some Eminent Characters
Moore, John
Europe -- Description and travel -- Early works to 1800
When it was last acted before the King, it is said, his Majesty,
observing that the Duc d’Ayen did not join in applauding, but that he
rather shewed some marks of disgust, turned to the Duke and said, Vous
n’applaudissez pas? Vous n’étes pas bon François, Monsieur le Duc:—To
this the Duke replied,—à Dieu ne plaise que je ne fusse pas meilleur que
les vers de la piéce.
Obedient to the court in every other particular, the French disregard the
decisions pronounced at Versailles in matters of taste. It very often
happens that a dramatic piece, which has been acted before the royal
family and the court, with the highest applause, is afterwards damned
with every circumstance of ignominy at Paris. In all works of genius
the Parisians lead the judgment of the courtiers, and dictate to their
monarch.
In other countries of Europe, it has happened, that some Prince of
superior talents has, by the brightness of his own genius, enlightened
the minds of his subjects, and dispelled the clouds of barbarism from his
dominions.
Since the commencement of this century a great empire has been improved
from a state of gross ignorance, refined by the arts of peace, and
instructed in the arts of war, by the vast genius and industry of one of
its Princes, who laid the foundation of its present power and grandeur.
Another inconsiderable state, with fewer resources, has, at a later
period, been created a powerful monarchy, by the astonishing efforts,
perseverance, and magnanimity of its present king; whose love of
knowledge and the arts has drawn some of the greatest geniuses in Europe
to his capital; whence science and taste must gradually flow through his
whole dominions, where they were formerly but little cherished.
In these instances, and others which might be enumerated, the princes
have been superior in genius to any of their subjects. The throne has
been the source whence knowledge and refinement have flowed to the
extremities of the nation.
But this has never been the case in France, where it is not the king who
polishes the people;—but the people who refine the manners, humanize the
heart, and, if it be not perfectly opaque, enlighten the understanding of
the king.
Telemaque, and many other works, have been composed with this intention.
In many addresses and remonstrances to the throne, excellent precepts
and hints are insinuated in an indirect and delicate manner.
By the emphatic applause they bestow on particular passages of the pieces
represented at the theatre, they convey to the monarch the sentiments of
the nation respecting the measures of his government.
Public-domain text, read in full here on John Shaqi.
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