A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
The amusements of this day had all the advantage of novelty to render
them agreeable to strangers, and every additional pleasure which the
attentive and polite behaviour of the Venetian nobility could give.
LETTER III.
Venice.
As this is not the time of any of the public solemnities which draw
strangers to Venice, it is fortunate that we happen to be here with the
Archduke and Duchess. The great respect which this state is anxious of
shewing the Imperial family, has brought many of the nobility to Venice,
who would otherwise have been at their country seats on the continent,
and has also given us opportunities of seeing some things to more
advantage than we could otherwise have done.
I had the honour of attending their Highnesses when they went to visit
the island of Murano. This is about a mile from Venice, was formerly
a very flourishing place, and still boasts some palaces which bear
the marks of former magnificence, though now in a state of decay. The
island is said to contain 20,000 inhabitants. The great manufactories of
looking-glasses are the only inducements which strangers have to visit
this place. I saw one very fine plate, for a mirror, made in the presence
of the Archduke in a few minutes: though not so large as some I have
seen of the Paris manufactory, yet it was much larger than I could have
thought it in the power of human lungs to blow. Instead of being cast,
as in France and England, the Murano mirrors are all blown in the manner
of bottles. It is astonishing to see with what dexterity the workman
wields a long hollow cylinder of melted glass, at the end of an iron
tube, which, when he has extended as much as possible, by blowing, and
every other means his art suggests, he slits with a sharp instrument,
removing the two extremities from each other, and folding back the sides:
the cylinder now appears a large sheet of glass, which being once more
introduced into the furnace, is brought out a clear, finished plate.
Public-domain text, read in full here on John Shaqi.
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