A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 1 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
It has been frequently remarked, that the proportions of this church are
so fine, and the symmetry of its different parts so exquisite, that the
whole seems considerably smaller than it really is. It was, however,
certainly intended to appear a great and sublime object, and to produce
admiration by the vastness of its dimensions. I cannot, therefore, be of
opinion, that any thing which has a tendency to defeat this effect, can
with propriety be called an excellence. I should on the contrary imagine,
that if the architect could have made the church appear larger than it
is in reality, this would have been a more desirable effect; provided it
could have been produced without diminishing our admiration in some more
material point. If this could not be accomplished; if it is absolutely
certain, that those proportions in architecture, which produce the mod
beautiful effect on the whole, always make a building seem smaller than
it is; this ought rather to be mentioned as an unfortunate than as a
fortunate circumstance. The more I reflect on this, it appears to me
the more certain, that no system of proportions, which has the effect
of making a large building appear small, is _therefore_ excellent. If
the property of reducing great things to little ones is inherent in
all harmonious proportions; it is, in my opinion, an imperfection, and
much to be lamented. In small buildings, where we expect to derive our
pleasure from grace and elegance, the evil may be borne; but in edifices
of vast dimensions, capable of sublimity from their bulk, the vice of
diminishing is not to be compensated by harmony. The sublime has no
equivalent.
LETTER XXXVIII.
Rome.
The grand procession of the Possesso took place a few days ago. This is
a ceremony performed by every Pope, as soon as conveniency will permit,
after the Conclave has declared in his favour. It is equivalent to the
coronation in England, or the consecration at Rheims. On this occasion,
the Pope goes to the Basilica of St. John Lateran, and, as the phrase
is, takes possession of it. This church, they tell you, is the most
ancient of all the churches in Rome, and the mother of all the churches
in christendom. When he has got possession of this, therefore, he _must_
be the real head of the Christian church, and Christ’s vicegerent upon
earth. From St. John Lateran’s, he proceeds to the Capitol, and receives
the keys of that fortress; after which, it is equally clear, that as an
earthly prince, he ought, like the ancient possessors of the Capitol, to
have a supremacy over all kings.
Public-domain text, read in full here on John Shaqi.
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