A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent CharactersMoore, John
History
A View of Society and Manners in Italy, Volume 2 (of 2): With Anecdotes Relating to some Eminent Characters
Moore, John
Italy -- Description and travel -- Early works to 1800; Italy -- Social life and customs -- Early works to 1800
Sometimes two or three open carriages, on a side, with five or six
persons of both sexes in each, draw up opposite to each other, and fight
a pitched battle. On these occasions, the combatants are provided with
whole bags full of the small shot above mentioned, which they throw at
each other, with much apparent fury, till their ammunition is exhausted,
and the field of battle is as white as snow.
The peculiar dresses of every nation of the globe, and of every
profession, besides all the fantastic characters usual at masquerades,
are to be seen on the Corso. Those of Harlequin and Pantaloon are in
great vogue among the men. The citizens wives and daughters generally
affect the pomp of women of quality; while their brothers, or other
relations, appear as train-bearers and attendants. In general, they seem
to delight in characters the most remote from their own. Young people
assume the long beard, tottering step, and other concomitants of old age;
the aged chuse the bib and rattle of childhood; and the women of quality,
and women of the town, appear in the characters of country maidens, nuns,
and vestal virgins. All endeavour to support the assumed characters, to
the best of their ability; but none, in my opinion, succeed so well as
those who represent children.
Towards the dusk of the evening, the horse-race takes place. As soon as
this is announced, the coaches, cabriolets, triumphal cars, and carriages
of every kind, are drawn up, and line the street; leaving a space in the
middle for the racers to pass. These are five or six horses, trained on
purpose for this diversion; they are drawn up a-breast in the Piazza del
Popolo, exactly where the Corso begins. Certain balls, with little sharp
spikes, are hung along their sides, which serve to spur them on. As soon
as they begin to run, those animals, by their impatience to be gone, shew
that they understand what is required of them, and that they take as much
pleasure as the spectators in the sport. A broad piece of canvas, spread
across the entrance of the street, prevents them from starting too soon:
the dropping that canvas is the signal for the race to begin. The horses
fly off together, and, without riders, exert themselves to the utmost;
impelled by emulation, the shouts of the populace, and the spurs above
mentioned. They run the whole length of the Corso; and the proprietor of
the victor is rewarded by a certain quantity of fine scarlet or purple
cloth, which is always furnished by the Jews.
This diversion, such as it is, seems highly entertaining to the Roman
populace; though it appears a mighty foolish business in the eyes of
Englishmen. An acquaintance of mine, who had entirely ruined a fine
fortune at Newmarket, told me, that Italian horse-races were the most
absurd things in the world; that there were not a hundred guineas lost
or won during a whole Carnival; and nothing could be a greater proof of
the folly of the people, than their spending their time in such a silly
manner.
Public-domain text, read in full here on John Shaqi.
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