United States -- Social life and customs -- 19th century -- Fiction
“You make stories on your violin, too, uncle Tony, even if the ladies
don’t faint away in heaps, and if the kitchen doesn’t look like a
battle-field when you’ve finished. I’m glad it doesn’t, for my part, for
I should have more housework to do than ever.”
“Poor Davy! you couldn’t hate housework any worse if you were a woman;
but it is all done for to-day. Now paint me one of your pictures,
laddie; make me see with your eyes.”
The boy put down the book and leaped out of the open door, barely
touching the old millstone that served for a step. Taking a stand in the
well-worn path, he rested his hands on his hips, swept the landscape with
the glance of an eagle, and began like a young improvisator:
“The sun is just dropping behind Brigadier Hill.”
“What colour is it?”
“Red as fire, and there isn’t anything near it—it’s almost alone in the
sky; there’s only teeny little white feather clouds here and there. The
bridge looks as if it was a silver string tying the two sides of the
river together. The water is pink where the sun shines into it. All the
leaves of the trees are kind of swimming in the red light—I tell you,
nunky, just as if I was looking through red glass. The weather vane on
Squire Bean’s barn dazzles so the rooster seems to be shooting gold
arrows into the river. I can see the tip top of Mount Washington where
the peak of its snow-cap touches the pink sky. The hen-house door is
open. The chickens are all on their roost, with their heads cuddled
under their wings.”
“Did you feed them?”
The boy clapped his hand over his mouth with a comical gesture of
penitence, and dashed into the shed for a panful of corn, which he
scattered over the ground, enticing the sleepy fowls by insinuating calls
of “Chick, chick, chick, chick! _Come_, biddy, biddy, biddy, biddy!
_Come_, chick, chick, chick, chick, chick!”
The man in the doorway smiled as over the misdemeanour of somebody very
dear and lovable, and rising from his chair felt his way to a corner
shelf, took down a box, and drew from it a violin swathed in a silk bag.
He removed the covering with reverential hands. The tenderness of his
face was like that of a young mother dressing or undressing her child.
As he fingered the instrument his hands seemed to have become all eyes.
They wandered caressingly over the polished surface as if enamoured of
the perfect thing that they had created, lingering here and there with
rapturous tenderness on some special beauty—the graceful arch of the
neck, the melting curves of the cheeks, the delicious swell of the
breasts.
When he had satisfied himself for the moment, he took the bow, and
lifting the violin under his chin, inclined his head fondly toward it and
began to play.
Public-domain text, read in full here on John Shaqi.
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