Still, Tony was a good son, affectionate, considerate, and obedient. His mother had no idea that he would ever be able, or indeed willing, to make a living; but there was a forest of young timber growing up, a small hay farm to depend upon, and a little hoard that would keep him out of the poorhouse when she died and left him to his own devices. It never occurred to her that he was in any way remarkable. If he were difficult to understand, it reflected more upon his eccentricity than upon her density. What was a woman to do with a boy of twelve who, when she urged him to drop the old guitar he was taking apart and hurry off to school, cried, “Oh, mother! when there is so much to learn in this world, it is wicked, wicked, to waste time in school.” About this period Tony spent hours in the attic arranging bottles and tumblers into a musical scale. He also invented an instrument made of small and great, long and short pins, driven into soft board to different depths, and when the widow passed his door on the way to bed she invariably saw this barbaric thing locked to the boy’s breast, for he often played himself to sleep with it. At fifteen he had taken to pieces and put together again, strengthened, soldered, mended, and braced, every accordion, guitar, melodeon, dulcimer, and fiddle in Edgewood, Pleasant River, and the neighbouring villages. There was a little money to be earned in this way, but very little, as people in general regarded this “tinkering” as a pleasing diversion in which they could indulge him without danger. As an example of this attitude, Dr. Berry’s wife’s melodeon had lost two stops, the pedals had severed connection with the rest of the works, it wheezed like an asthmatic, and two black keys were missing. Anthony worked more than a week on its rehabilitation, and received in return Mrs. Berry’s promise that the doctor would “pull a tooth” for him some time! This, of course, was a guerdon for the future, but it seemed pathetically distant to the lad who had never had a toothache in his life. He had to plead with Cyse Higgins for a week before that prudent young farmer would allow him to touch his five-dollar fiddle. He obtained permission at last only by offering to give Cyse his calf in case he spoiled the violin. “That seems square,” said Cyse doubtfully, “but after all, you can’t play on a calf!” “Neither will your fiddle give milk, if you keep it long enough,” retorted Tony; and this argument was convincing.