United States -- Social life and customs -- 19th century -- Fiction
It was in this year, also, that he made a very precious discovery. While
browsing in the rubbish in Squire Bean’s garret to see if he could find
the missing sound-post of the old violin, he came upon a billet of wood
wrapped in cloth and paper. When unwrapped, it was plainly labelled
“Wood from the Bean Maple at Pleasant Point; the biggest maple in York
County, and believed to be one of the biggest in the State of Maine.”
Anthony found that the oldest inhabitant of Pleasant River remembered the
stump of the tree, and that the boys used to jump over it and admire its
proportions whenever they went fishing at the Point. The wood,
therefore, was perhaps eighty or ninety years old. The squire agreed
willingly that it should be used to mend the ancient violin, and told
Tony he should have what was left for himself. When, by careful
calculation, he found that the remainder would make a whole violin, he
laid it reverently away for another twenty years, so that he should be
sure it had completed its century of patient waiting for service, and
falling on his knees by his bedside said, “I thank Thee, Heavenly Father,
for this precious gift, and I promise from this moment to gather the most
beautiful wood I can find, and lay it by where it can be used some time
to make perfect violins, so that if any creature as poor and as helpless
as I am needs the wherewithal to do good work, I shall have helped him as
Thou hast helped me.” And according to his promise so he did, and the
pieces of richly curled maple, of sycamore, and of spruce began to
accumulate. They were cut from the sunny side of the trees, in just the
right season of the year, split so as to have a full inch thickness
towards the bark, and a quarter-inch towards the heart. They were then
laid for weeks under one of the falls in Wine Brook, where the musical
tinkle, tinkle of the stream fell on the wood already wrought upon by
years of sunshine and choruses of singing birds.
This boy, toiling not alone for himself, but with full and conscious
purpose for posterity also, was he not worthy to wear the mantle of
Antonius Stradivarius?
“That plain white-aproned man who stood at work
Patient and accurate full fourscore years,
Cherished his sight and touch by temperance
And since keen sense is love of perfectness,
Made perfect violins, the needed paths
For inspiration and high mastery.”
And as if the year were not full enough of glory, the school-teacher sent
him a book with a wonderful poem in it.
That summer’s teaching had been the freak of a college student, who had
gone back to his senior year strengthened by his experience of village
life. Anthony Croft, who was only three or four years his junior, had
been his favourite pupil and companion.
“How does Tony get along?” asked the Widow Croft when the teacher came to
call.
“Tony? Oh, I can’t teach him anything.”
Tears sprang to the mother’s eyes.
Public-domain text, read in full here on John Shaqi.
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