"This conversation is really absurd. I tell her that I want her to
surrender herself to me, and she answers--at least I suppose that's
what she means--that she has given me her heart. Obviously, she has no
idea of what might happen between us.... What do these little caresses
mean to her? They're just marks of affection.... All the same there
was surely desire in her movements, her kisses, her eyes. And her body
trembled at the urgent touch of my lips. Yes, she knows what love is.
How ridiculous! All the same, if we go to work cleverly...."
"You mustn't believe, Rose," he said out loud, "that I have ever yet
had occasion to give my heart. That doesn't always happen in the course
of a life; and when it does happen, it happens only once.... A man has
plenty of adventures in which his will is not concerned.... Man is an
animal as well as a man...."
"And what about women?"
"The best people agree," said M. Hervart, "that woman is an angel."
Rose burst out laughing at this remark, apparently very innocently, and
said:
"I can't claim to be an angel. It wouldn't amuse me to be one, either.
Angels--why, father puts them in his pictures. No, I prefer being a
woman. Would you love an angel?"
M. Hervart laughed too. He explained that young girls had a right to
being called angels, because of their innocence....
"When one is in love, is one still innocent?"
"If one still is, one doesn't remain so long."
They could say no more. They had come back to the stream and there
they caught sight of M. Des Boys showing his domains to two gentlemen,
one of whom seemed to be of his own age, while the other looked about
thirty.
CHAPTER VII
M. Hervart soon recognised in one of the visitors a friend of old days,
Lanfranc, the architect. The young man, as he found out, was Lanfranc's
nephew, pupil and probable successor. He was further informed that the
two architects were installed in the old manor house of Barnavast, the
restoration of which they had undertaken on behalf of Mme. Suif, widow
of that famous Suif who gave such a fine impulse to the art of mortuary
and religious sculpture. Lanfranc, who had patched and painted every
church in Normandy, had for twenty years bought his materials at Suif's
and the widow had always appreciated him. Hence this job at Barnavast
which would round off his fortune, make it possible for him to return
to Paris and achieve a place in the Institute.
As soon as they had settled down in the shade of the chestnut trees
on the rustic seat, Lanfranc began telling the story of Mme. Suif,
a story that was well known to every one. Rose listened attentively.
The moment Lanfranc could collect a friendly audience he always told
the story of Mme. Suif. It was in some degree his own story too. Mme.
Suif had been his mistress, then he had married, then he had resumed
relations with her and had, with the cooling of their passion, remained
her friend.
Public-domain text, read in full here on John Shaqi.
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