[Illustration: [P. 147
“‘NEVER DRAW IT IN AN UNWORTHY CAUSE’”]
A VIRGINIA CAVALIER
BY
MOLLY ELLIOT SEAWELL
ILLUSTRATED
[Illustration]
NEW YORK AND LONDON
HARPER & BROTHERS PUBLISHERS
1903
Copyright, 1896, by HARPER & BROTHERS.
_All rights reserved._
“_Nature made Washington great--but he made himself virtuous_”
ILLUSTRATIONS
“‘NEVER DRAW IT IN AN UNWORTHY CAUSE’” _Frontispiece_
“‘THIS IS MY SON, MR. WASHINGTON’” _Facing p._ 18
GEORGE BIDS BETTY GOOD-BYE “ 54
SKETCHING THE DEFENCES ON THE SCHELDT “ 72
“‘IS MARSE GEORGE WASHINGTON HERE, SUH?’” “ 100
THE DAILY LESSON IN ARMS “ 122
THE FIGHT IN THE KITCHEN PASSAGE “ 136
“SHE WAS THE STATELIEST BEAUTY OF A SHIP HE HAD EVER SEEN” “ 168
“‘MY SON, MY BEST-LOVED CHILD’” “ 192
“THEY STRUCK NOW INTO THE WILDERNESS” “ 218
“BY DAYLIGHT GEORGE WAS IN THE SADDLE” “ 236
“‘NEVER WILL YOU BE HALF SO BEAUTIFUL AS OUR MOTHER’” “ 246
THE GOVERNOR’S LEVEE “ 260
“GEORGE HAD THE SAVAGE BY THE THROAT” “ 296
“WITH DRUMS BEATING AND COLORS FLYING” “ 314
“GEORGE DID ALL THAT MORTAL MAN COULD DO” “ 342
A VIRGINIA CAVALIER
CHAPTER I
“_Nature made Washington great; but he made himself virtuous._”
The sun shines not upon a lovelier land than midland Virginia. Great
rivers roll seaward through rich woodlands and laughing corn-fields
and fair meadow lands. Afar off, the misty lines of blue hills
shine faintly against the deeper blue of the sky. The atmosphere is
singularly clear, and the air wholesome and refreshing.
Never was it more beautiful than on an afternoon in late October of
1746. The Indian summer was at hand--that golden time when Nature
utters a solemn “Hush!” to the season, and calls back the summer-time
for a little while. The scene was full of peace--the broad and placid
Rappahannock shimmering in the sun, its bosom unvexed except by the
sails of an occasional grain-laden vessel, making its way quietly and
slowly down the blue river. The quiet homesteads lay basking in the
fervid sun, while woods and streams and fields were full of those soft,
harmonious country sounds which make a kind of musical silence.
A mile or two back from the river ran the King’s highway--a good
road for those days, and showing signs of much travel. It passed at
one point through a natural clearing, on the top of which grew a few
melancholy pines. The road came out of the dense woods on one side of
this open space, and disappeared in the woods on the other side.
Public-domain text, read in full here on John Shaqi.
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