The house at Ferry Farm, which was home to him, was a good four
miles by the road, but by paths through the woods and fields, and a
foot-bridge across a creek, it was barely a mile. It took him but a
short time to make it, but before he could reach the house he saw the
coach and outriders dash into sight and draw up before the porch. The
old soldier jumped from the box and opened the door and let down the
steps, and the earl descended in state. On the porch stood Uncle
Jasper, the venerable black butler, in a suit of homespun, with a long
white apron that reached from his chin to his knees. George saw him
bowing and ushering the earl in. The outriders loosened their horses’
girths, and, after breathing them, led them to the watering-trough in
the stable-lot back of the house. They then watered the coach-horses,
the coachman sitting in solitary magnificence on his box, while the old
soldier stretched his legs by walking about the lot. George saw this
as he came through the stable way, his dog still at his heels. Uncle
Jasper was waiting for him on the back porch.
“De madam,” he began, in a mysterious whisper, “will want you ter put
on yo’ Sunday clo’es fo’ you come in ter see de Earl o’ Fairfax. He’s
in de settin’-room now.”
George understood very well, and immediately went to his room to change
his hunting-clothes, which were the worse for both dirt and wear. It
was a ceremonious age, and the formalities of dress and manners were
very strictly observed.
Meanwhile, in the sitting-room, on opposite sides of the fireplace, sat
Madam Washington and the earl. Truly, the beauty that had distinguished
Mary Ball remained with Madam Washington. Her figure was slight and
delicate (not from her had her eldest son inherited his brawn and
muscle), and in her severely simple black gown she looked even slighter
than usual. Her complexion was dazzlingly fair, and little rings of
chestnut hair escaped from her widow’s cap; but her fine blue eyes were
the counterpart of her eldest son’s. The room was plainly furnished,
even for the times, but scrupulously neat. A rag-carpet covered the
middle of the floor, while around the edges the polished planks were
bare. In one corner a small harpsichord was open, with music on the
rack. Dimity curtains shaded the small-paned windows, and a great fire
sparkled in the large fireplace. Over the mantel hung the portrait
of a handsome young man in a satin coat with lace ruffles. This was
a portrait of Augustine Washington in his youth. Opposite it was a
portrait of Madam Washington as a girl--a lovely young face and figure.
There were one or two other portraits, and a few pieces of silver upon
a mahogany buffet opposite the harpsichord--relics of Wakefield, the
Westmoreland plantation where George was born, and of which the house
had burned to the ground in the absence of the master, and much of the
household belongings had been destroyed.
Public-domain text, read in full here on John Shaqi.
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