A visit to the Roman catacombsNorthcote, J. Spencer (James Spencer)
History
A visit to the Roman catacombs
Northcote, J. Spencer (James Spencer)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
Now the Roman Catacombs are a vast gallery of ancient Christian art.
Single specimens, indeed, may exist elsewhere, and wherever they are
found they deserve attentive examination; but it is obvious that the
largest and most valuable collection in the world is to be found in
subterranean Rome; and here, if anywhere, the subject may be thoroughly
sifted and settled. It is to the minuteness of the topographical
researches of De Rossi that we are indebted for the solid basis on which
the earliest chapters of the history of Christian art can now be made to
rest. His plan here, as well as in every other branch of his subject,
has been simply to note all he sees; and then, when he has collected
sufficient materials, to arrange and generalise, not according to any
preconceived theory of classification, but absolutely according to the
strict, stern facts before him. If these facts, arranged in their true
historical and geographical order, present a harmonious whole, and
suggest or support a theory which can otherwise be shown to be probable,
he accepts it gladly; if not, he is content to leave the facts to speak
for themselves, and to trust to further discoveries, or to the ingenuity
of future commentators, to introduce light and order where at present
there may seem to be chaos. For he never shrinks from acknowledging his
inability to explain this or that phenomenon, and he prefers to leave a
matter in doubt rather than to dogmatise on insufficient authority. Such
moderation naturally inspires confidence; and perhaps another presumption
in favour of the impartial accuracy of his statements may be found in the
fact that sometimes they militate against the theories of those who would
assign to every monument a greater antiquity than it is entitled to, and
sometimes against the theories of the opposite and more numerous school.
On the whole, however, whatever his opinion may be as to the age of any
particular monument that has been called in question, his testimony as
to the free use of painting by the early Christians is distinct and
positive, and supported by irrefragable proofs.
Public-domain text, read in full here on John Shaqi.
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