A visit to the Roman catacombsNorthcote, J. Spencer (James Spencer)
History
A visit to the Roman catacombs
Northcote, J. Spencer (James Spencer)
Catacombs -- Italy -- Rome; Church history -- Primitive and early church, ca. 30-600
how this could be, we must study a little Greek, which may be easily
apprehended, however, even by those who are not scholars, if they will
fix their attention for a few moments on the accompanying plan:—
Ι ΗϹΟΥϹ = JESUS
Χ ΡΙϹΤΟϹ = CHRIST
Θ ΕΟΥ = OF GOD
Υ ΙΟϹ = SON
Ϲ ΩΤΗΡ = SAVIOUR
The Greek for fish is here written perpendicularly, one letter above
another, ΙΧΘΥϹ; and it is seen that these five letters are the initial
letters of five words, which, together, contain a tolerably complete
account of what Christ is. He is JESUS CHRIST, SON OF GOD, SAVIOUR. Thus,
this one word, ιχθυς, or fish, read in this way, tells a great deal about
our Lord’s name and titles; it is almost a miniature creed, or, as one
of the Fathers expresses it, “it contains in one name a whole multitude
of holy names.” It would take us too long to enquire into the origin of
this device for expressing our Lord’s name and titles in so compendious
and secret a form. Clearly, whoever may have invented it, it was very
ingenious, and specially convenient at those times and places where men
dared not speak of Him freely and openly. We cannot say when it began,
but it was in universal use throughout the Church during the first three
hundred years of her life, and then, when she was in the enjoyment of
peace and liberty, it gradually dropped, first out of sight in Christian
monuments, and then out of mind also in Christian literature. But,
during the ages of persecution, it had sunk deep into the habits of
Christian thought and language; it became, as it were, a part of the
very Catechism,—every baptized Christian seems to have been familiar
with it, whether he lived on the banks of the Tiber or of the Po, of
the Loire, of the Euphrates, or of the Nile. In all these parts of the
world, writers in books, poets in hymns, preachers in sermons, artists
in painting, the very masons themselves on gravestones, made use of it
without a word of explanation, in a way that would utterly mystify any
modern Christian community. Who would now dream of carving or painting a
fish upon a gravestone in a Christian churchyard? yet scores of graves in
the Catacombs were so marked, and some of them with hardly a word or an
emblem upon them besides. Or what meaning could we attach to the picture
of a dove or a lamb standing on a fish’s back, if we did not understand
that the fish represented Christ, and the dove or the lamb a Christian,
so that the whole symbol stood for a Christian soul supported by Christ
through the waves and storms of life? Or again, only imagine a Christian
in these days having buried with him, or wearing round his neck during
life, a little figure of a fish cut in ivory, or crystal, or mother of
pearl, or some still more costly material? Yet a number of those who were
buried in the Catacombs did this; and some of these fish even bear an
inscription, calling upon the fish to be a Saviour!
Public-domain text, read in full here on John Shaqi.
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