A Voyage of Consolation: (being in the nature of a sequel to the experiences of 'An American girl in London')Duncan, Sara Jeannette
General
A Voyage of Consolation: (being in the nature of a sequel to the experiences of 'An American girl in London')
Duncan, Sara Jeannette
Americans -- Europe -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
"Not a red cent, sir," said Mr. Pabbley decisively. "We run our own
show."
"What about that aristocrat that rules the country up at Ottawa?"
"Oh, _he_ hasn't got any say! We get him out and pay him a salary to
save ourselves the trouble of electing a president. A presidential
election's bad for business, bad for politics, bad for morals."
"You seem to know. Doesn't it ever make you tired to hear yourselves
called subjects? Don't you ever want to be free and equal, like us?
Trot out the truth now--the George Washington article!"
"Mister," said Mr. Pabbley, "I flatter myself that Canadians are a good
deal like United States folks already, and I don't mind congratulating
both our nations on the resemblance. But I'm bound to add that, while I
would wish to imitate the American people in many ways still further, I
wouldn't be like you personally, no, not under any circumstances nor in
any respect."
At this moment it was necessary to dismount, and, as poppa and I both
immediately became engaged in reconciling momma to the necessity of
walking to the top of the plateau, I lost the rest of the conversation.
Momma, when it was necessary to walk anywhere, always became pathetic
and offered to stay behind alone. She declared on this occasion that she
would be perfectly happy in the coach with the dear horses, and poppa
had to resort to extreme measures. "Please yourself, Augusta," he said.
"Your lightest whim is law to me, and you know it. But I'm going to hate
standing up in that photograph all alone with my only child, like any
widower."
"Alexander!" exclaimed momma at once. "What a dreadful idea! I think I
might be able to manage it."
The photographer was there with his camera. The guide marshalled us up
to him, falling back now and then to bark at the heels of the lagging
ones, and, with the assistance of a bench and an acacia, we were rapidly
arranged, the short ones standing up, the tall ones sitting down,
everyone assuming his most pleasing expression, and the Misses Bingham
standing alone, apart, on the brink, looking on under an umbrella that
seemed to protect them from intimate association with the democracy in
any form. We saw the guide approach them in gingerly inquiry, but,
before simultaneous waves of their two black fans, he retired in
disorder. The bride had slipped her hand upon her husband's shoulder,
just to mark his identity; the fat gentleman had removed his hat and
hurriedly put it on again, and the photographer had gone under his
curtain for the third time, when Mr. Hinkson of Iowa, who sat in a
conspicuous cross-legged position in the foreground, drew from his
pocket a handkerchief and spread it carefully out over one knee. It was
not an ordinary handkerchief, it was a pocket edition of the Stars and
Stripes, all red, and blue, and white, and it attracted the instant
attention of every eye. One of the eyes was Mr. Pabbley's, who appeared
to clear the group at a bound in consequence.
Public-domain text, read in full here on John Shaqi.
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