Life on other planets -- Fiction; Psychological fiction; Quests (Expeditions) -- Fiction; Science fiction
“Well, I understand all that,” replied Maskull, after listening
attentively. “But what I don’t grasp is this—if living creatures here
sport so energetically, how does it come about that human beings wear
much the same shape as in my world?”
“I’ll explain that too,” said Panawe. “All creatures that resemble
Shaping must of necessity resemble one another.”
“Then sporting is the blind will to become like Shaping?”
“Exactly.”
“It is most wonderful,” said Maskull. “Then the brotherhood of man is
not a fable invented by idealists, but a solid fact.”
Joiwind looked at him, and changed colour. Panawe relapsed into
sternness.
Maskull became interested in a new phenomenon. The jale-coloured
blossoms of a crystal bush were emitting mental waves, which with his
breve he could clearly distinguish. They cried out silently, “To me! To
me!” While he looked, a flying worm guided itself through the air to one
of these blossoms and began to suck its nectar. The floral cry
immediately ceased.
They now gained the crest of the mountain, and looked down beyond. A
lake occupied its crater-like cavity. A fringe of trees partly
intercepted the view, but Maskull was able to perceive that this
mountain lake was nearly circular and perhaps a quarter of a mile
across. Its shore stood a hundred feet below them.
Observing that his hosts did not propose to descend, he begged them to
wait for him, and scrambled down to the surface. When he got there, he
found the water perfectly motionless and of a colourless transparency.
He walked onto it, lay down at full length, and peered into the depths.
It was weirdly clear: he could see down for an indefinite distance,
without arriving at any bottom. Some dark, shadowy objects, almost out
of reach of his eyes, were moving about. Then a sound, very faint and
mysterious, seemed to come up through the gnawl water from an immense
depth. It was like the rhythm of a drum. There were four beats of equal
length, but the accent was on the third. It went on for a considerable
time, and then ceased.
The sound appeared to him to belong to a different world from that in
which he was travelling. The latter was mystical, dreamlike, and
unbelievable—the drumming was like a very dim undertone of reality. It
resembled the ticking of a clock in a room full of voices, only
occasionally possible to be picked up by the ear.
Public-domain text, read in full here on John Shaqi.
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