A voyage to Senegal : $b or, Historical, philosophical, and political memoirs, relative to the discoveries, establishments and commerce of Europeans in the Atlantic Ocean, from Cape Blanco to the river of Sierra LeoneDurand, Jean Baptiste Léonard
History
A voyage to Senegal : $b or, Historical, philosophical, and political memoirs, relative to the discoveries, establishments and commerce of Europeans in the Atlantic Ocean, from Cape Blanco to the river of Sierra Leone
Durand, Jean Baptiste Léonard
Africa, Northwest; Senegal -- Description and travel
On the evening of an appointed day, the relations, friends, and
acquaintances of the deceased assemble before his house, where
they sing in his praise, and dance to the sound of a drum: they
incessantly vary the figures of their dance; sometimes they form a
large circle round the music, and clap their hands on each stanza of
the song; at others a single person dances in the midst of the rest,
who alternately sit down and stand up; or three or four only are in
action at once, and continue to move about till they are fatigued,
when they are replaced by others. The company all the while sing and
clap their hands. This ceremony and discharges of musquetry continue
without interruption from morning to evening for three successive
nights. On these occasions neither tobacco nor brandy is spared.
When the person deceased is a man of importance, and his parents
or friends are rich, this mourning ceremony is repeated two or
three times a year for several years together. On the death of
a member of a poor family, his relatives are a long time before
they can procure a sufficient quantity of brandy and tobacco for
the solemnity; but, whatever difficulties they may experience in
amassing it, the ceremony takes place sooner or later.
This assembly, in which both sexes join, may be called a public
mourning; but there is another of a domestic kind, practised
principally by the women, and which is peculiar to the Bulams and
the Tommanies. The performers on this occasion wear a linen or white
cotton cap, which comes down as low as their eyes, so that they can
see nothing but the ground. They have several rows of the grain of
the country round their neck and waist. If they be married women,
they wear no other clothes than the simple tuntungée. They are
not permitted to eat or drink with other persons, nor even prepare
their own food; but at the time of the repast, a drum is beaten,
and dancing takes place before the door of the house in which
the mourning is celebrated. None, except the guests, must use the
vessels which are employed at this repast.
The duration of such a mourning is not fixed, but is regulated
by the will or caprice of those who make it; and the chief person
is generally the mother, aunt, or some other aged relative. They
generally cause it to be celebrated by young girls who are of a
marriageable age, as a means of securing their virtue: for while
it lasts, if any connection be discovered between the two sexes,
the woman would be dishonoured, and the man punished.
Public-domain text, read in full here on John Shaqi.
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