The evident aim of the author of the Satirical Romance before us, is to fulfil for the present age, what _Swift_ so successfully accomplished for that which has passed by:--to attack, by the weapons of ridicule, those votaries of knowledge, who may have sought to avail themselves of the universal love of novelty amongst mankind, to acquire celebrity; or who may have been misled by their own ill-regulated imaginations, to obtrude upon the world their crude and imperfect theories and systems, to the manifest retardation of knowledge:--an effect, too, liable to be induced in a direct ratio with the degree of talent and ingenuity by which their views may have been supported. Several of these may always be more successfully attacked by ridicule than by reason; inasmuch as they are, in this way, more likely to become the subjects of popular animadversion; and many, who could withstand the serious arguments of their fraternity, cannot placidly endure their ridicule. Satire has, indeed, often done more service to the cause of religion and morality than a sermon, since the remedy is agreeable, whilst it at the same time communicates indignation or fear:-- "Of all the ways that wisest men could find, To mend the age and mortify mankind, Satire, well writ, has most successful prov'd. And cures, because the remedy is lov'd." To produce, however, the full effect, satire must possess a certain degree of impartiality, and be levelled in all instances at the vices or follies, and not at the man. The first sketch of Gulliver's Travels occurs in the proposed Travels of Martinus Scriblerus, devised in that pleasing society where most of Swift's miscellanies were planned. Had the work, however, been executed under the same auspices, it would probably, as Sir Walter Scott has suggested,[1] "have been occupied by that personal satire, upon obscure and unworthy contemporaries, to which Pope was but too much addicted. But when the Dean mused in solitude over the execution of his plan, it assumed at once a more grand and a darker complexion. The spirit of indignant hatred and contempt with which he regarded the mass of humanity; his quiet and powerful perception of their failings, errors, and crimes; his zeal for liberty and freedom of thought, tended at once to generalize, while it embittered, his satire, and to change traits of personal severity for that deep shade of censure which Gulliver's Travels throw upon mankind universally." Most of the sentiments which impressed Swift, seem also to have been felt by the unknown author of the work before us: it is not, however, free from personal allusions; but they are all conveyed in so good natured a manner, as to satisfy the reader that the author has been solicitous to animadvert only on the vices of the individual; and in no part of the work is there the slightest evidence of prejudice or venom.