Art -- Italy -- Venice; Venice (Italy) -- Description and travel
One odd thing about them is that they and Colleoni's steed are the only
horses which many younger and poorer Venetians have ever seen. As to the
horselessness of Venice, the last word, as well as one of the first, in
English, was written by our old friend Coryat in the following passage:
"For you must consider that neither the Venetian Gentlemen nor any
others can ride horses in the streets of Venice as in other Cities and
Townes, because their streets being both very narrow and slippery, in
regard they are all paved with smooth bricke, and joyning to the water,
the horse would quickly fall into the river, and so drowne both himselfe
and his rider. Therefore the Venetians do use Gondolaes in their streets
insteede of horses, I meane their liquid streets: that is, their
pleasant channels. So that I now finde by mine owne experience that the
speeches of a certaine English Gentleman (with whom I once discoursed
before my travels), a man that much vaunted of his observations in
Italy, are utterly false. For when I asked him what principall things he
observed in Venice, he answered me that he noted but little of the city,
because he rode through it in post. A fiction, and as grosse and
palpable as ever was coyned."
From the horses' gallery there is a most interesting view of the Piazza
and the Piazzetta, and the Old Library and Loggetta are as well seen
from here as anywhere.
Within the church itself two things at once strike us: the unusual
popularity of it, and the friendliness. Why an intensely foreign
building of great size should exert this power of welcome I cannot say;
but the fact remains that S. Mark's, for all its Eastern domes and gold
and odd designs and billowy floor, does more to make a stranger and a
Protestant at home than any cathedral I know; and more people are also
under its sway than in any other. Most of them are sightseers, no doubt,
but they are sightseers from whom mere curiosity has fallen: they seem
to like to be there for its own sake.
The coming and going are incessant, both of worshippers and tourists,
units and companies. Guides, professional and amateur, bring in little
groups of travellers, and one hears their monotonous informative voices
above the foot-falls; for, as in all cathedrals, the prevailing sound is
of boots. In S. Mark's the boots make more noise than in most of the
others because of the unevenness of the pavement, which here and there
lures to the trot. One day as I sat in my favourite seat, high up in the
gallery, by a mosaic of S. Liberale, a great gathering of French
pilgrims entered, and, seating themselves in the right transept beneath
me, they disposed themselves to listen to an address by the French
priest who shepherded them. His nasal eloquence still rings in my ears.
A little while after I chanced to be at Padua, and there, in the church
of S. Anthony, I found him again, again intoning rhetoric.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account