Art -- Italy -- Venice; Venice (Italy) -- Description and travel
This book has been so much occupied with the high-ways of Venice--and
far too superficially, I fear--that the by-ways have escaped attention;
and yet the by-ways are the best. The by-ways, however, are for each of
us separately, whereas the high-ways are common property: let that--and
conditions of space--be my excuse. The by-ways must be sought
individually, either straying where one's feet will or on some such
thorough plan as that laid down in Col. Douglas's most admirable book,
_Venice on Foot_. Some of my own unaided discoveries I may mention just
as examples, but there is no real need: as good a harvest is for every
quiet eye.
There is the tiniest medieval cobbler's shop you ever saw under a
staircase in a courtyard reached by the Sotto-portico Secondo Lucatello,
not far from S. Zulian, with a medieval cobbler cobbling in it day and
night. There is a relief of graceful boys on the Rio del Palazzo side of
the Doges' Palace; there is a S. George and Dragon on a building on the
Rio S. Salvatore just behind the Bank of Italy; there is a doorway at
3462 Rio di S. Margherita; there is the Campo S. Maria Mater Domini with
a house on the north side into whose courtyard much ancient sculpture
has been built. There is a yellow palace on the Rio di S. Marina whose
reflection in the water is most beautiful. There is the overhanging
street leading to the Ponte del Paradiso. There is the Campo of S.
Giacomo dell'Orio, which is gained purely by accident, with its church
in the midst and a vast trattoria close by, and beautiful vistas beneath
this sottoportico and that. There are the two ancient chimneys seen from
the lagoon on a house behind Danieli's. There is the lovely Gothic
palace with a doorway and garden seen from the Ponte dell'Erbe--the
Palazzo Van Axel. There is the red palace seen from the Fondamenta
dell'Osmarin next the Ponte del Diavolo. There is in the little calle
leading from the Campo Daniele Manin to the lovely piece of architecture
known as the staircase dal Bovolo--a bovolo being a snail--from its
convolutions. This staircase, which is a remnant of the Contarini palace
and might be a distant relative of the tower of Pisa, is a shining
reproach to the adjacent architecture, some of which is quite new. It is
a miracle of delicacy and charm, and should certainly be sought for. And
above all there is the dancing reflection of the rippling water in the
sun on the under sides of bridges seen from the gondola; and of all the
bridges that give one this effect of gentle restless radiancy none is
better than the Ponte S. Polo.
CHAPTER XXVIII
GIORGIONE
The Palazzo Giovanelli--A lovely picture--A superb innovator--Pictures
for houses--_The Tempest_--Byron's criticism--Giorgione and the
experts--Vasari's estimate--Leonardo da Vinci--The Giorgionesque fire--A
visit to Castel Franco--The besieging children--The Sacristan--A
beautiful altar-piece--Pictures at Padua--Giorgiones still to be
discovered.
Public-domain text, read in full here on John Shaqi.
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