Art -- Italy -- Venice; Venice (Italy) -- Description and travel
Of the Baptistery mosaics the most scanned will always be that in which
Salome bears in the head. In another the decapitated saint bends down
and touches his own head. The scene of Christ's baptism is very quaint,
Christ being half-submerged in Jordan's waves, and fish swimming past
during the sacred ceremony. Behind the altar, on which is a block of
stone from Mount Tabor, is a very spirited relief of S. George killing
the dragon.
The adjoining chapel is that named after Cardinal Zeno, who lies in the
magnificent central tomb beneath a bronze effigy of himself, while his
sacred hat is in crimson mosaic on each side of the altar. The tomb and
altar alike are splendid rather than beautiful: its late Renaissance
sculptors, being far removed from Donatello, Mino, and Desiderio, the
last of whom was one of the authors of the beautiful font in the
adjoining Baptistery. Earlier and more satisfactory reliefs are those of
an angel on the right of the altar and a Madonna and Child on the left
which date from a time when sculpture was anonymous. The mosaics
represent the history of S. Mark.
One may walk or sit at will in S. Mark's as long as one wishes, free and
unharassed; but a ticket is required for the galleries and a ticket for
the choir and treasury; and the Baptistery and Zeno chapel can be
entered only by grace of a loafer with a key who expects something in
return for opening it. The history of this loafer's privilege I have not
obtained, and it would be interesting to learn by what authority he is
there, for he has no uniform and he accepts any sum you give him. If all
the hangers-on of the Roman Catholic Church, in Italy alone, who perform
these parasitical functions and stand between man and God, could be
gathered together, what a huge and horrible army it would be!
CHAPTER IV
THE PIAZZA AND THE CAMPANILE
The heart of Venice--Old-fashioned music--Teutonic invaders--The
honeymooners--True republicanism--A city of the poor--The black
shawls--A brief triumph--Red hair--A band-night incident--The
pigeons of the Piazza--The two Procuratie--A royal palace--The
shopkeepers--Florian's--Great names--Venetian restaurants--Little
fish--The old campanile--A noble resolve--The new campanile--The angel
vane--The rival campanili--The welcome lift--The bells--Venice from the
Campanile.
S. Mark's Square, or the Piazza, is more than the centre of Venice: to a
large extent it is Venice. Good Venetians when they die flit evermore
among its arcades.
Public-domain text, read in full here on John Shaqi.
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