The new campanile endeavours to reproduce the old faithfully, and it was found possible to utilize a little of the old material. The figures of Venice on the east wall above the belfry canopy and Justice on the west are the ancient ones pieced together and made whole; the lions on the north and south sides are new. The golden angel on the summit is the old one restored, with the novelty, to her, as to us, of being set on a pivot to act as a vane. I made this discovery for myself, after being puzzled by what might have been fancied changes of posture from day to day, due to optical illusion. One of the shopkeepers on the Square, who has the campanile before his eye continually, replied, however, when I asked him if the figure was fixed or movable, "Fixed." This double duty of the new campanile angel--to shine in golden glory over the city and also to tell the wind--must be a little mortifying to her celestial sister on the campanile of S. Giorgio, who is immovable. But no doubt she has philosophy enough to consider subjection to the caprices of the breeze a humiliation. Another change for which one cannot be too grateful is the lift. For the modest price of a franc one can be whirled to the belfry in a few seconds at any time of the day and refresh one's eyes with the city and the lagoon, the Tyrolese Alps, and the Euganean hills. Of old one ascended painfully; but never again. Before the fall there were five bells, of which only the greatest escaped injury. The other four were taken to a foundry set up on the island of Sant'Elena and there fused and recast at the personal cost of His Holiness the late Pope, who was Patriarch of Venice. I advise no one to remain in the belfry when the five are at work. They begin slowly and with some method; they proceed to a deafening cacophony, tolerable only when one is far distant.