A War-time Journal, Germany 1914 and German Travel Notes — John Shaqi
A War-time Journal, Germany 1914 and German Travel NotesJephson, Harriet Julia Campbell, Lady
History
A War-time Journal, Germany 1914 and German Travel Notes
Jephson, Harriet Julia Campbell, Lady
World War, 1914-1918 -- Germany; World War, 1914-1918 -- Personal narratives, English
If it so happens that you have none to commune
with, then God help you--and yours!
In Treves you have not far to go in search of the Romans. Their
_magnum opus_ confronts you boldly at the very threshold of the town.
Solid and massive and symmetrical, it stands a pregnant lesson to the
jerry-builders of to-day. There is little affinity indeed between the
building methods of the ancient Romans and those of their trade whose
sorry, pitiable record exists in the Quartiere Nuovo of Rome. About
the Porta Nigra is no trace of stucco or rubble. The huge blocks of
which it is built stand one upon the other clean-hewn and square. No
signs of mortar are left, but we see marks of iron or brass clamps.
Its colour is a warm, deep red, softened here and there by streaks of
green.
The Porta Nigra has passed through strange phases since first it
started in life as a city gate. Obviously built for purposes of
fortification, and equipped with towers of defence, its second phase
was an ecclesiastical one, and the "spears" were indeed turned into
"pruning-hooks" when the bellicose propugnaculum found itself
transformed into a church.
"Last scene of all,
That ends this strange, eventful history."
The gate was in 1876 finally cleared of priests and altars, and
allowed to revert to its original form.
Not far from the Porta Nigra stands the Cathedral, one of the oldest
in Germany, archaeologically interesting, inasmuch as it owes its
inception to the Romans. The Basilica, built by Valentinian as a court
of law, is clearly traceable in the present cathedral, and one reads a
strange tale of Romans and Franks in the sandstone and limestone and
brick of its walls. Here is treasured the famous Heilige Rock, or holy
coat worn by our Saviour when a boy. At rare intervals this garment is
exhibited to the faithful, who come from all countries to gaze
reverently upon it. Who that has seen can forget the last exposition
in 1891? Never before or since has there been anything more pathetic
than the sight of the long rows of tired, haggard, perspiring, praying
pilgrims, who stood patiently for hours in the broiling August sun,
moving only when permitted, and then at a snail's pace, towards their
Mecca. Plebeian though the majority of faces were, their devotional,
solemn, rapt expressions for the time being ennobled and beautified
them.
Treves during that time, however, was by no means the reposeful,
dignified city it is to-day. Its buildings were defaced with flags and
banners, its streets blocked with pilgrims, and the road leading from
the station to the town was lined with booths, whose owners disposed
quickly of such delicacies as Napfkuchen, Streusel-Kuchen, and
Apfelwein. Piety and profit went everywhere hand-in-hand, and a
roaring trade was done in rosaries and benitiers, the last made of the
blue pottery of the country, and stamped with a representation of Leo
XIII. against a background of Domkirche.
Public-domain text, read in full here on John Shaqi.
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