American fiction -- 19th century; Love stories; Man-woman relationships -- Fiction; San Francisco (Calif.) -- Fiction
"No, Yerba," he said, eagerly, taking her unresisting but indifferent
hand, "not all; but all that I must say, all that I have the right to
say, all that you, Yerba, would permit me to tell you NOW. But let me
hope that the day is not far distant when I can tell you ALL, when you
will understand that this silence has been the hardest sacrifice of the
man who now speaks to you."
"And yet not unworthy of a rising politician," she added, quickly
withdrawing her hand. "I agree," she went on, looking towards the
door, yet without appearing to avoid his eager eyes, "and when I have
settled upon 'a local habitation and a name' we shall renew this
interesting conversation. Until then, as my fourth official guardian
used to say--he was a lawyer, Mr. Hathaway, like yourself--when he was
winding up his conjectures on the subject--all that has passed is to be
considered 'without prejudice.'"
"But Yerba"--began Paul, bitterly.
She slightly raised her hand as if to check him with a warning gesture.
"Yes, dear," she said suddenly, lifting her musical voice, with a
mischievous side-glance at Paul, as if to indicate her conception of
the irony of a possible application, "this way. Here we are waiting for
you." Her listening ear had detected Milly's step in the passage, and
in another moment that cheerful young woman discreetly stopped on the
threshold of the room, with every expression of apologetic indiscretion
in her face.
"We have finished our talk, and Mr. Hathaway has been so concerned
about my having no real name that he has been promising me everything,
but his own, for a suitable one. Haven't you, Mr. Hathaway?" She rose
slowly and, going over to Milly, put her arm around her waist and stood
for one instant gazing at him between the curtains of the doorway.
"Good night. My very proper chaperon is dreadfully shocked at this
midnight interview, and is taking me away. Only think of it, Milly; he
actually proposed to me to walk in the garden with him! Good night,
or, as my ancestors--don't forget, MY ANCESTORS--used to say: 'Buena
noche--hasta manana!'" She lingered over the Spanish syllables with an
imitation of Dona Anna's lisp, and with another smile, but more faint
and more ghostlike than before; vanished with her companion.
At eight o'clock the next morning Paul was standing beside his
portmanteau on the veranda.
"But this is a sudden resolution of yours, Hathaway," said Mr. Woods.
"Can you not possibly wait for the next train? The girls will be down
then, and you can breakfast comfortably."
"I have much to do--more than I imagined--in San Francisco before I
return," said Paul, quickly. "You must make my excuses to them and to
your wife."
"I hope," said Woods, with an uneasy laugh, "you have had no more words
with Don Caesar, or he with you?"
"No," said Paul, with a reassuring smile, "nothing more, I assure you."
Public-domain text, read in full here on John Shaqi.
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