A Warning to the Curious, and Other Ghost StoriesJames, M. R. (Montague Rhodes)
General
A Warning to the Curious, and Other Ghost Stories
James, M. R. (Montague Rhodes)
English fiction -- 20th century; Ghost stories, English; Short stories, English
“Oh, she can show you that right enough, sir. She have the key of the
door, you see, and most weeks she go in and dust about. That’s a nice
Chapel, that is. My son-in-law, he say he’ll be bound they didn’t have
none of this Gregory singin’ there. Dear! I can’t help but smile when I
think of him sayin’ that about th’ old donkey. ‘I can hear him bray,’
he say, ‘any day of the week’; and so he can, sir; that’s true, anyway.”
The walk across the fields from Kingsbourne to Brockstone was very
pleasant. It lay for the most part on the top of the country, and
commanded wide views over a succession of ridges, plough and pasture,
or covered with dark-blue woods--all ending, more or less abruptly,
on the right, in headlands that overlooked the wide valley of a great
western river. The last field they crossed was bounded by a close
copse, and no sooner were they in it than the path turned downward
very sharply, and it became evident that Brockstone was neatly fitted
into a sudden and very narrow valley. It was not long before they had
glimpses of groups of smokeless stone chimneys, and stone-tiled roofs,
close beneath their feet; and, not many minutes after that, they were
wiping their shoes at the back door of Brockstone Court, while the
keeper’s dogs barked very loudly in unseen places, and Mrs Porter, in
quick succession, screamed at them to be quiet, greeted her father, and
begged both her visitors to step in.
II
It was not to be expected that Mr Davidson should escape being taken
through the principal rooms of the Court, in spite of the fact that
the house was entirely out of commission. Pictures, carpets, curtains,
furniture, were all covered up or put away, as old Mr Avery had
said; and the admiration which our friend was very ready to bestow
had to be lavished on the proportions of the rooms, and on the one
painted ceiling, upon which an artist who had fled from London in the
plague-year had depicted the Triumph of Loyalty and Defeat of Sedition.
In this Mr Davidson could show an unfeigned interest. The portraits of
Cromwell, Ireton, Bradshaw, Peters, and the rest, writhing in carefully
devised torments, were evidently the part of the design to which most
pains had been devoted.
“That were the old Lady Sadleir had that paintin’ done, same as the
one what put up the Chapel. They say she were the first that went up
to London to dance on Oliver Cromwell’s grave.” So said Mr Avery, and
continued musingly, “Well, I suppose she got some satisfaction to her
mind, but I don’t know as I should want to pay the fare to London and
back just for that; and my son-in-law, he say the same; he say he don’t
know as he should have cared to pay all that money only for that. I was
tellin’ the gentleman as we came along in the train, Mary, what your
’Arry says about this Gregory singin’ down at Stanford here. We ’ad a
bit of a laugh over that, sir, didn’t us?”
Public-domain text, read in full here on John Shaqi.
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