Close by, in a corner lot between the two cross-roads of the village, lies a wretched little puddle, the home of countless hylas until the June suns dry it up. Among the hundred or more people who live in the vicinity and who pass the pond almost daily, I think that I am the only one who, until recently, was sure he had ever seen a peeper, and knew that they were neither tadpoles, salamanders, nor turtles. As I was standing by the puddle, one May day, a good neighbor came along and stopped with me. The chorus was in full blast--cricket-frogs, Pickering's frogs, spring frogs, and, leading them all, the melancholy quaver of Bufo, the "hop-toad." "What is it that makes the _dreadful_ noise?" my neighbor asked, meaning, I knew, by "dreadful noise," the song of the toad. I handed her my opera-glass, pointed out the minstrel with the doleful bagpipe sprawling at the surface of the water, and, after sixty years of wondering, she saw with immense satisfaction that one part in this familiar spring medley was taken by the common toad. Sixty springs are a good many springs to be finding out the author of so well-known a sound as this woeful strain of the serenading toad; but more than half a century might be spent in catching a cricket-frog at his song. I tried to make my neighbor see one that was clinging to a stick in the middle of the puddle; but her eyes were dim. Deft hands have dressed these peepers. We have heard them by the meadowful every spring of our life, and yet the fingers of one hand number more than the peepers we have seen. One day I bent over three lily-pads till nearly blind, trying to make out a cricket-frog that was piping all the while somewhere near or upon them. At last, in despair, I made a dash at the pads, only to see the wake as the peeper sank to the bottom an instant before my net struck the surface. [Illustration: "A wretched little puddle."]