A Widow's Tale, and Other StoriesOliphant, Mrs. (Margaret)
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A Widow's Tale, and Other Stories
Oliphant, Mrs. (Margaret)
Fiction; Short stories
Thinking, thinking all the long night through did not seem to do poor
Nelly any good. She had arrived at home so exhausted in mind and body,
so chilled to the heart, that she was good for nothing but to retire to
bed. She was scarcely able to see the children--the children, whom
perhaps in a day or two----Oh! should she not secure every moment of
them, every look of the innocent faces that were her own, lay up in her
heart every innocent word, with that dreadful possibility before her?
But the effect was exactly the reverse. The sight of them seemed to fill
her with a sick horror. She could not meet their eyes, could not bear
their caresses, turned from them with an awful sense that she had
betrayed them. And then all the night through in the dark she lay awake
thinking, thinking, listening to the clock striking--the vigilant clock,
which watched and waited, measuring out the unhasting time, never
forgetting, looking on whatever happened. It would strike eleven o'clock
to-morrow in the calm little unalarmed house where nobody would suspect
that the young mother, the smiling and loving guardian of the children,
had come to her hour of doom. For a long time her mind held to this as
if it were a sentence which had to be carried out. Eleven o'clock
to-morrow, eleven o'clock! a thing which she could not alter, which had
to be done. Then by-and-by, which was worse still, there flashed into
her soul the thought that it was no sentence, but a thing subject to her
own decision, which she might do--or not. Or not! She was free; it was
for her to settle, to do it or not to do it. I don't know how to explain
how much worse this was. To be held fast by a verdict, sentenced at a
certain hour to do something which perhaps you would rather die than do,
but which you must do, your dying or not dying being a matter of
indifference--is a very terrible thing: yet even in this the _must_
gives a certain support. But to be cast back again into a sea of doubt
from which you have to get out as best you may, in which you must decide
for yourself, choose--this or that, settle what to do, what not to do;
the choice being not between pleasure and pain, between good and evil,
as it used to be in the old days--but only of two tortures, which was
the worst and which the best.
Public-domain text, read in full here on John Shaqi.
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