Seymour, who knew that I should be mortified, and he lowered in my eyes
by this discovery, was more embarrassed and awkward than I ever knew
him, in paying his respects and making his inquiries concerning the
health of Lady Martindale, and had just expressed his delight at
hearing she was recovered when the lady herself appeared: she paid her
compliments to me in a very easy and graceful manner, and expressed
herself much pleased to see the lady of whom her lord had raved ever
since he saw her; and I suspect her broken English gave what she said
much of its charm. At least I wished to think so then. I found Seymour
had painted her as she was, as to externals; whether he had been as
accurate a delineator of her mind and general manners, I was yet to
learn.
That she could dance, I had soon the means of discovering; for she
had a little French dog with her, which had been taught to dance to
a tune; and while Mrs. Oswald played a slow waltz, and then a jig, Lady
Martindale, on pretence of showing off the little dog, showed herself
off to the greatest possible advantage.--Whether she glided smoothly
along in graceful abandonment of the waltz measure, or whether she
sprung lightly on the "gay fantastic toe," her fine arms floated
gracefully on the air, and her beautiful feet moved with equal and as
becoming skill. When she had ended, she was repaid with universal bravos
and clapping of hands.
Nothing could exceed the grace with which she curtsied; and snatching
the dog under her arm, she went round the circle, extending her
beautiful hand to each of us, saying "_De grace! donnez des gateaux
à ma Fanchon:_"[1] and the plate of macaroons that stood near us was
immediately emptied before the little animal, who growled and ate, to
the great delight of his mistress, who knelt in an attitude _fait à
peindre_ beside him.
[Footnote 1: Pray give cakes to my Fanchon.]
I cannot express to you what I felt when I saw Seymour's eyes rivetted
on this woman of display. He watched her every movement, and seemed
indeed to feel she possessed _la grace plus belle encore que la
beauté_.[2] But who and what was she? A French woman, and well-born,
though poor.
[Footnote 2: Grace more beautiful still than beauty.]
Public-domain text, read in full here on John Shaqi.
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