A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)Macklin, Charles
General
A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)
Macklin, Charles
English drama -- 18th century
(SHARK _lays hold of him while Mr._ DEATH _measures him_)
_Skin._ Are you going to murder me? You Villain! Here Lucy, Nephew,
Murder!
(_Enter_ LUCY _and_ BELLAIR)
_Bell._ How now, what's the matter? Are you going to rob my Uncle?
_Death._ No, no, Sir, we are only taking Measure of him for a Coffin.
_Skin._ O Nephew, they have almost killed me! Here is your cousin
Bumper come to take Possession of my Fortune whether I will or no; and
[he] has brought a frightful Fellow to take Measure of me for a Coffin
and Shroud, and swears he will bury me within these three days, dead
or alive.
_Bell._ Are not you ashamed, Cousin Bumper, to use our Uncle so
inhumanly?
_Shar._ Damn you Prig, have you a mind to resent it? If you have, lug
out, and I'll soon dispatch you. (_Draws_)
_Skin._ Was there ever such a bloody minded Villain? Dear Nephew, come
in with me; I'll do his Business for him in a more effectual way than
fighting. I'll swear the Peace against him and make my Will, without
leaving him a Shilling. (_Exit with Bellair_)
_Shar._ So far the Plow speeds. I think we have done Mr. Bumper's
Business for him. That Obstacle is pretty well removed--We have
nothing to do now but to provide for his Sister the Widow, and then to
contrive some means to frighten the old Fellow into a Will in favour
of my Master.
_Lucy._ Ay, Shark, that is the chiefest Difficulty, the Masterpiece,
and unless you accomplish that you do nothing.
_Shar._ I know it, my Dear; here, here (_pointing to his head_), here,
here--the Embryo is here, and will come forth perfect in less than ten
Minutes. Why Lucy, I have a Genius to Deceit, and wanted nothing but
an Opportunity to shew it.
_Lucy._ I think you have a very fair one now.
_Shar._ I have so, and never fear, Girl, I'll engage I make a proper
use of it. Lord, how many great Men have been lost for want of being
thrown into a proper light? On my Conscience, had I been bred in a
Court, I believe I should have made as great a Figure as ever Cromwell
did, for
_The Stateman's Skill like mine is all Deceit_
_What's Policy in him--in me's a Cheat._
_Titles and Wealth reward his noble Art,_
_Cudgels and Bruises mine--sometimes a Cart._
_Twas, is and will he, to the End of Time,_
_That Poverty not Fraud creates the Crime._
(_Exeunt_)
ACT II
(_Enter_ BELLAIR _and_ LUCY)
_Bell._ What Coach was that stopt at the Door?
_Lucy._ My Lady Lovewealth's, Sir. I told her Miss Harriet was gone
home, and that my Master was gone out in a Chair to some of his
Lawyers, for I could not let her see Sir Isaac.
_Bell._ You were right, Lucy. Where is Shark?
_Lucy._ In my Room, Sir, dressing for the Widow.
(SKINFLINT _within_)
_Skin._ Lucy, why Lucy, ugh, ugh, where are you, Wench?
_Bell._ I'll leave you with my Uncle, Lucy, while I step up and hasten
Shark. (_Exit_ [_Bellair_])
(_Enter_ SKINFLINT)
Public-domain text, read in full here on John Shaqi.
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