A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)Macklin, Charles
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A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)
Macklin, Charles
English drama -- 18th century
_Cank._ I am sure if you were not as great a Stranger to your own
Dullness as you are to Apollo and the Nine, as you quaintly call
them, you would never think of writing a Tragedy. But most Writers
are such vain, envious Coxcombs, and busy themselves so continually
in the pleasing Search of other People's Faults, that they never
have time to look into their own. For this Blockhead now, who has
no more Imagination than a Dutch Burgomaster, because he can common
place Corneille and Racine, sets up for the Euripides of the Age,
and has the Vanity to prefer his sleepy, lumpish Tragedy to my Comedy
which has that Viscomica, that fine Ridiculum of Human Nature which
Caesar so lauded in the Greek and so regretted the Want of in the
Roman Poet. (_Exit_)
(_Enter_ HARRIET _and_ HEARTLY)
_Har._ O I have teazed the Wretch 'till his Envy shook him like the
Ague fit.
_Heart._ And I have praised the Play and flattered my Lady's Judgment
to such a Degree of Pride and Obstinancy as will never bear
Contradiction again. No successful Poet after his Ninth Night was ever
so brimfull of Vanity as I have made her Ladyship. She run[s] over
with folly.
_Har._ Let me tell you, Sir, Trifle makes a pretty ridiculous Figure
upon this Occasion.
_Heart._ And indeed upon any Occasion; he never departs from his
Character. I left him, and that other Coxcomb Nibble, in the most
ridiculous dispute about the Rules of Criticism, and what was high,
and what was low Comedy, and what was Farce, that ever was heard. Sir
Patrick, he got into the Squabble with them, and did so contradict
himself and them, and did so flounder and blunder that they had all
gone to Loggerheads if my Lady hadn't stepped in and pre-emptorily
decided the point.
_Har._ O delightful! I should have liked that of all things. See here
the Knight comes; let us play him off a little.
_Heart._ With all my Heart.
(_Enter Sir_ PATRICK)
_Heart._ Sir Patrick, your humble Servant, have you settled the
Argument between Nibble and Trifle at last?
_Sir Pat._ Yes, yes, I settled it as dead as a Door Nail betwixt them.
_Heart._ Which way, Sir?
_Sir Pat._ Why I told them they were both wrong and knew nothing at
all of the Matter, but they did not believe me so they went to it
again, and there I left them.--(_Seeing Harriet, addresses her_)
Madam, I am your most obedient Slave and humble Servant! 'Till death
do us part.
_Har._ O Sir Patrick, you are superlatively obliging. (_Curtzying very
low_) I am afraid, Sir Patrick, that is more than my short
Acquaintance with you can merit.
_Sir Pat._ O Madam, you merit more than human Nature can bestow upon
you. You are all perfection, beautiful as Venus, and as wise as
Medusa.
_Both._ Ha, ha, ha.
_Heart._ Medusa! Ha, ha, ha, Minerva I believe you mean.
_Sir Pat._ Faith I believe so too; but one may easily mistake; you
know they are so very much alike, especially as they are both Heathen
Gods too.
_Both._ Ha, ha, ha.
Public-domain text, read in full here on John Shaqi.
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