A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747) — John Shaqi
A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)Macklin, Charles
General
A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)
Macklin, Charles
English drama -- 18th century
_Sir Pat._ An Irish Man,--poh, what the Devil shall I say now?
(_Aside_) No my Life, I am no Irishman at all, not I upon my
Honour--but my Mother was one--and so I call that my Country sometimes
out of a Joke--that's all--I an Irishman--no, no--no, I'faith you may
know by my Tongue that I am no Irishman.
_Har._ O then it is your Mother that was an Irishman?
_Sir Pat._ Yes, Madam, she was born and bred in Ireland all the Days
of her Life, but she was educated in England.
_Heart._ Ha, ha, ha, this is more than one in Reason could have
expected. This Fellow is more diverting and more blundering than his
Countryman in the Committee. [_Aside_]
_Har._ See, here come Mr. Nibble and Mr. Trifle in warm debate;
prithee let us leave them to themselves and go see how my Lady and
Canker have agreed in their Judgments about this New Play.
_Sir Pat._ With all my Heart, Madam; for really I am tired with these
two Gentlemen before they come near us, they are so very
silly--(_Pushing between Harriet and Heartly_) I beg Pardon, Mr.
Heartly, but I must do the Lady the Honour to give her the Acceptation
of my Hand. I hope you will excuse my bashfullness, Madam, that I did
not do it sooner.
_Har._ Sir Patrick, you are the most courteous well bred Knight that
ever broke Spear in a Lady's Defence.
_Sir Pat._ Faith I am of your Opinion in that, Madam, for I think I am
a clever loose Fellow. (_Exeunt_)
(_Enter_ NIBBLE _and_ TRIFLE)
_Trif._ Dear Nibble, don't let you and I quarrel which we certainly
must if you persist in crying down so admired a Piece. For Dullness
seize me if I don't defend it to the last Extremity of critical
Obstinancy.
_Nib._ Dear Tim: don't call it critical, but fashionable Obstinancy,
for you know very well that Judgment and you are old Antagonists.
_Trif._ Ha, ha, ha, give me your Hand for that, Nibble; faith that was
not said amiss--But as I have some regard for you, don't persist in
shewing your weakness lest you oblige me to draw my parts upon you,
and if I do, expect no Quarter; by all that's witty, I'll pink the
Midriff of your Ignorance as a friendly cure to your sickly
Understanding.
_Nib._ Tim Trifle, I defy your Parts; they are as blunt and as dull as
a Welch Pedant's. I do and shall persist in, asserting to the last
Extremity of my critical Judgment that the Piece has glaring
Faults--monstrous.
_Trif._ What Faults? What Faults? Prithee name one!
_Nib._ Why in the first place I insist upon it, and I will prove it up
to mathematical Demonstration, that the Title of it is quite expotic.
_Trif._ Expotic?
_Nib._ Ay, immensely expotic! so expotic that the Play ought to have
been hissed for it. The Suspicious Husband! Is not that an egregious
Error? I am sure every Person who has the least Taste of the Drama
must allow it to be an unpardonable Fault--quite a
Misnomer--absolutely expotic.
_Trif._ Now by Aristotle's Beard, I think there could not have been so
happy a Title found out of the Alphabet.
Public-domain text, read in full here on John Shaqi.
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